bullet train – marketing recap

How Sony is selling an action comedy

Bullet Train movie poster from Sony Pictures
Bullet Train movie poster from Sony Pictures

David Leitch directs Bullet Train, arriving in theaters courtesy of Sony Pictures. Written by Zak Olkewicz and based on the novel by Kōtarō Isaka, Brad Pitt stars as an American assassin known only as Ladybug. Despite wanting out of the life, Ladybug agrees to one last job snatching a briefcase aboard a bullet train heading from Tokyo to Kyoto. Once aboard the train, though, Ladybug finds a cadre of other international assassins there as well, all with missions that in some way connect to his own.

Sandra Bullock costars as Maria Beetle (also the original name of the source novel), Ladybug’s handler and the voice giving him directions on the train. Zazie Beetz, Aaron Taylor-Johnson, Zoey King, Brian Tyree Henry and a host of others play the other assassins or other underworld types that cross paths with Ladybug.

With Antoine Fuqua producing and projections for opening weekend in the $30m range, let’s take a look at the marketing campaign Sony has cooked up.

announcements and casting

The film was announced in June 2020 with Leitch attached to direct and Pitt starring. Others like King, Henry and Taylor-Johnson were added over the rest of that year. A release date was finally announced a year later.

Of course that casting led to some entirely justified backlash and criticism of “whitewashing” since the original novel’s characters are Japanese and almost none of the actors in this film are.

Sony gave attendees of CinemaCon in August 2021 the first look at the much-anticipated film but that was it for a while.

the marketing campaign

Sony kicked the campaign off at the end of February with a teaser video that eschews footage from the movie (for the most part) in favor of a promotional video for NSL, the company that runs the train line in the world of the film. It’s filled with beautiful, peaceful images of the Japanese countryside before finally showing a scraped and exhausted Ladybug looking out the windows as the scenery passes by.

The first trailer (20.6m YouTube views) was then released at the beginning of March. A tone is immediately established as we see Ladybug and Lemon (Henry) have a threatening but polite conversation on the quiet car of the train. There are lots of moments like that as we meet the rest of the characters Ladybug will be interacting with and fighting against, get the backstory there are lots of people after the briefcase in question and more.

The teaser poster released at the same time doesn’t show that impressive cast but instead opts for an image of a train steward standing formally alongside a seat that, upon closer inspection, has blood on it, with more found on the floor.

Johnson talked about his role in an interview conducted by fellow actor Andrew Garfield.

Leitch and Bad Bunny both appeared at 2022’s installment of CinemaCon in April to offer updates, show off some footage and promise distributors the movie was coming soon.

Empire offered first looks at some new stills along with comments from Leitch, Pitt, Henry and others in May. Bad Bunny also offered some thoughts on the movie and more in a GQ profile.

At the beginning of June a new poster came out, this one showing Ladybug looking somewhat confused or frustrated as he stands in front of all the adversaries he’s going to have to fight his way through to complete his assignment.

That was followed by the second trailer (6.7m YouTube views). This one offers the same story and vibe, but adds the context that not only does Ladybug have legendary bad luck but that he’s crossed paths with many of the others that have now congregated on the train.

Henry and Johnson appeared in character in a series of short videos aired during the NBA Finals where they ask questions of various NBA stars.

We get a cut down version of the story and characters in the first TV spot that aired at the beginning of June. That spot was also used as pre-roll online.

Taylor-Johnson was on hand during Sony’s presentation at CineEurope in June to introduce footage from the film.

It was then Pitt’s turn for a GQ feature interview where he talked about not only this film but his career to date and some of the other recent projects he’s been involved in as a producer.

Fandango then unveiled a series of character posters, each of which has some sort of symbol or other item relevant to that character in the background.

Instagram, TikTok and Snapchat users could search for movie stickers to add to their content. Twitter emojis were also introduced.

As July began more TV spots rolled out that offered variations on the trailers or which went a little deeper in introducing one of the other characters in the story.

News also came that the movie was scheduled for August’s Locarno Film Festival.

King was then interviewed about the training she did for this and other recent films as well as the experience of working with Pitt.

The international press and publicity tour then kicked off in France, where Pitt and others were in attendance. Additional stops included Berlin, London and elsewhere. During this tour Sony made extensive use of YouTube’s #Shorts format to show off clips of the cast dancing around and having a good time. Pitt’s fashion choices would become the subject of not just one but two feature stories.

Henry and Johnson are back in a video announcing tickets going on sale in mid-July. They also showed up on an IMAX video explaining how watching a movie on your phone is a sub-par experience compared to theaters.

The IMAX-exclusive poster uses the style of Japanese paintings to show Ladybug looking out over the scenery as the train rushes through the title treatment. AMC Theaters’ poster shows him standing at the end of a train car with a handful of bad dudes waiting for him. The poster from ScreenX shifts to a landscape perspective to show Ladybug running down the top of the train with Momonga in pursuit.

Because NFTs are still a thing there were some of those as well. Nifty’s introduced a collection of them while an exclusive NFT of Momonga was offered to those purchasing advance tickets of large-format screenings.

Back in the world of real things, Tumi promoted its rugged aluminum briefcase that is the MacGuffin of the movie.

Manga artist Hiro Mashima offered his own takes on the character posters previously released.

The first (and at this point only) clip released shows a slightly extended take on the quiet car fight between Lemon and Ladybug.

overall

There’s a lot of fun stuff here, helped out by an entertaining and talented cast with Pitt out in front. My tolerance for Pitt varies from one film to the next, but here he’s at his most enjoyable with what looks like a loose performance matching the tone and vibe of the story. It helps that he has talented comic talents like Henry, King and others to play off, of course.

Of note is how often the campaign invokes Leitch as “The director of Deadpool 2” in an effort to amp up his credentials when it comes to action comedy. Not only that, but it’s an attempt to tie this movie into something the audience has already seen and largely enjoyed, bringing it closer to being a somewhat known quantity and therefore not as big a risk of entertainment dollars.

the harder they fall – marketing recap

How Netflix has sold a high-octane and star-studded Western.

The Harder They Fall poster

Regina King, Jonathan Majors, Idris Elba, Lakeith Stanfield, Zazie Beetz and Delroy Lindo are just a few of the big names in this week’s new Netflix feature The Harder They Fall.

In the film, labeled as based on a true story, Majors plays Nat Love, a former enslaved person who, once free, moved from Tennessee to Kansas to find work as a cowboy. One day he finds out his nemesis Rufus Buck (Elba) has escaped imprisonment he gathers those loyal to him to set out and find Buck and bring him back to justice, or exact revenge himself. But Buck has his own gang and the two groups are fated to face off against each other.

With a solid cast and the promise of a new-fangled Western, Netflix’s campaign has been slick and action-packed, even if it hasn’t been particularly sizable.

announcement and casting

The movie was announced in mid-2019 with Majors and first-time director Jeymes Samuel attached at that time. Elba joined later that year with others added over the course of 2019 and into 2020.

Production started in mid-2020 but, like many other films, had to be suspended because of a Covid case in October.

The first footage came in January, part of Netflix’s announcement of its ambitious 2021 feature film slate.

the marketing campaign

The first trailer (3.1m YouTube views) came out in late June, starting off with the outlaws robbing a train to free one of their number. But there are those who preferred Buck remain in jail, leading to a good old-fashioned showdown in a small town. It looks like a great, stylized Western with lots of action and humor and a fantastic cast.

Two posters that show the two different sides of the law that are presented in the story also came out in June.

Netflix announced in August that the movie would open the London Film Festival.

It was August when the official trailer (1.1m YouTube views) was released. There’s more footage than was included in the first one but the same message is being sent here: That the film is violent and funny, with a story about warring outlaw gangs each determined to get what they feel is theirs. Most of all it looks like a lot of fun, with some great actors playing Old West for a while.

Short promos like this also began appearing at this time that play up the splashy visuals and high-energy tone of the film.

Another poster came out in September that combines elements from the previous two, bringing the main four characters into a single one-sheet.

At the London Film Festival there were a number of interviews with the cast and crew where they talked about discarding stereotypes of the Western genre, how this film broadens the scope of the kinds of stories that can be told of that era and more.

Similar themes were covered in an interview with Samuel.

Majors stopped by “Kimmel” recently to talk about this movie as well as other upcoming projects.

At the movie’s L.A. premiere event Majors again pointed out that this isn’t an alternative history of the Old West so much as it was an additional chapter of that era that hasn’t been widely told.

Overall

The 83% Fresh rating the film currently has on Rotten Tomatoes represents it’s been received more positively than some of the other recent Netflix titles, and even more positively than many other recent releases regardless of platform.

Aside from that, the marketing has been solidly consistent through what is admittedly its short life span. It sells the movie as being a Western, yes, but one with a more modern sensibility and tone despite the frequent assertions by Samuel and others that this isn’t an alternate history or revisionist take on the genre.

It also puts its all-star cast right at the front with an especially strong focus on Majors, who could use this and a couple other high-profile roles to break out into the big-time.

High Flying Bird – Marketing Recap

high flying bird posterDirector Steven Soderbergh becomes the latest high-profile talent to bring his work to a Netflix exclusive with this week’s High Flying Bird. The story is set during an NBA lockout, when no games are being played or money being made by anyone. That situation is an opportunity for agent Ray (André Holland), who comes up with a plan to return some of the control over the game to the talent instead of the owners and executives who manage it.

To that end he enlists Erik (Melvin Gregg) and Sam (Zazie Beetz), hoping the former’s skills will be enough to break through the media clutter and ignite a movement that’s more authentic to the game being played in gyms and parks around the country. That campaign brings him into conflict with powerful officials in the NBA, including an owner played by Kyle MacLachlan.

The Posters

An outline of a basketball player that’s reminiscent of the Air Jordan logo is shown, with one half of the background the outside of a basketball while the other half is pitch black. Within that silhouette is the copy “Play the game on top of the game, hinting at a story that involves getting to the core of what the game is about. In the corner the movie is credited as coming “From the director of Ocean’s 11 and a writer of Moonlight,” the latter part being a bit clunky in its wording while it tries to latch on to some of that film’s cache.

The Trailers

The one trailer for the movie shows what the situation is that Ray is trying to work with and around. He realizes that the player lockout means no one is getting paid, especially the talent that provides the attraction for the fans. The opportunity, then, is to use the stoppage to make sure they get paid instead of the rich owners that see players as interchangeable and expendable. Erik is reluctant, afraid being part of the plan will result in him getting blackballed by the league but Ray convinces him and others that it will work and that things will be better for everyone in the long run.

There’s a strong theme of “get paid what you’re worth” in the trailer, with the message being that black players in particular are being exploited by white owners in a game that’s watered down from what’s really being played. That’s an interesting idea, especially considering we just watched a Super Bowl where the NFL wanted to honor Black History Month at the same time it continues to collude to keep Colin Kaepernick out of the game.

Online and Social

Nothing here, which is standard for Netflix releases.

Advertising and Cross-Promotions

Some pre-roll spots were run on YouTube but that’s all I’m aware of.

Media and Publicity

Netflix jumped on distribution rights to the movie before any official marketing or publicity had begun. It was later scheduled for a sneak peak at the Slamdance Film Festival along with a special award for Soderbergh.

In early January it was announced the movie would screen at the The Film Society of Lincoln Center as part of its Film Comment festival.

While at Slamdance, Soderbergh talked about how the film got started as well as his experience shooting it with an iPhone and his return to the festival. Shortly after that he spoke about how he got involved with Netflix, including how he thought the streaming distribution model was preferable simply because more people could access it than if it received a theatrical platform release.

Writer Tarell Alvin McCraney was interviewed about how he got involved with the project and what story he aimed to tell.

Overall

As I said before, it’s an interesting story and one that comes at a particular time, one where we are talking more and more about how many corporate systems are rigged against the line workers in favor of corporate owners, especially when it comes to racial and gender inequalities. That’s the message the comes through in the trailer, while Soderbergh and others also mention it, along with more technical aspects of production, in the publicity cycle.

More than anything, this is just the latest high-profile release by Netflix of a movie that 10 years ago would have still had a good chance of becoming a decent theatrical success. That topic is touched on in the media interviews as well and it’s clear that with successive films week after week Netflix isn’t kidding around with this, instead hoping to attract not only direct subscribers but also media attention that raises its profile among other filmmakers and audiences.

Picking Up the Spare

Writer Andre Holland spoke about the story and working with Soderbergh here while Soderbergh recounted the fast-paced production schedule.