Tag: the spy who dumped me

Picking Up the Spare – Christopher Robin, The Darkest Minds and More

The Miseducation of Cameron Post

Chloe Grace-Moretz goes all [fire emoji] on the idea of gay conversion therapy and talks about the recent moments that have dramatically changed her thinking on the idea. She also unloads on the studio mentality that marginalizes female actors and characters as well as her belief stories should be told by the kind of people portrayed in the story, highlighting the difference in reaction to this movie by a queer woman and the upcoming Boy Erased, which tells a similar story but is directed by a straight man.

The Spy Who Dumped Me

Lots of new interviews from late last week with director Susanna Fogel, who talked about casting the film and telling a story about a strong female friendship, the (slightly) increased willingness by the studios to tell heretofore underrepresented stories, the sometimes choppy waters of her career to date, how filming action sequences helped her embrace her “inner badass” and more.

Mission: Impossible – Fallout

The popular Battlegrounds Mobile video game is getting a movie-themed level.

Christopher Robin

I did not realize the movie was written by Alex Ross Perry, who’s been primarily known to date for his smaller character dramas, but he talks about just that topic here.

Lots of the movie’s positive reviews are included in this “Now Playing” TV spot.

The Darkest Minds

Director Jennifer Yuh Nelson says she doesn’t mind at all if the movie and its story invite comparisons to current real world political resistance movements.

The cast also talks more in a joint interview about how the story mirrors the recent youth-driven drives for societal change on various topics.

Fox has released a series of “Meet…” character introduction videos like this one, apparently hoping that such explainers will help audiences get interested in characters they may not otherwise be familiar with.

Puzzle

There’s a new TV spot, the first for the movie I believe, that outlines the story and relationships while highlighting some of the positive reviews it’s received.

Eighth Grade

Regal Cinemas has been running this update as a promoted post on Twitter highlighting the movie and its emotional story.

This past Wednesday A24 hosted a series of free screenings around the country that, importantly, were voluntarily free of MPAA ratings enforcement. That’s been a subject of conversation around the movie as the R rating the movie was given for a a few bad words and some age-relevant discussions of sexual matters have put it out of reach of many actual eighth graders.

Sorry To Bother You

Writer/director Boots Riley ignited a thousand hot takes when he spoke up about the lack of international distribution for his well-received movie, citing a belief by the studio and others that “black” movies still don’t work overseas.

There isn’t usually a lot of attention paid to producers, but Nina Yang Bongiovi got a nice profile covering how she has become a force in the indie movie world and helped bring this movie to fruition.

Pineapple Express

Among the interesting tidbits shared by writer/star Seth Rogen marking the movie’s 10th anniversary was one saying a smoking billboard was shut down by the LA fire department for obvious reasons.

Deadpool 2

Another fun teaser for the movie’s home video release.

BlacKkKlansman

John David Washington appeared on “Kimmel” to talk about the movie, working with Spike Lee and more.

Chris Thilk is a freelance writer and content strategist who lives in the Chicago suburbs.

Picking Up the Spare – Mission: Impossible – Fallout, Eighth Grade and More

Mission: Impossible – Fallout

There’s some good points made in this story about how the M:I franchise is the rare movie sold on its star and not an IP brand. I don’t, though, think it goes far enough to look at how the marketing relied on the combination of Tom Cruise’s name recognition and the promise of mind-blowing stunt work *is* a brand. If Cruise was actually still a market-driver on his own, Edge of Oblivion 2 would already be in production.

A new TV spot has been released emphasizing the incredibly high marks the movie has received from critics.

Teen Titans Go! To the Movies

The movie’s directors share which joke was almost too much for DC/WB to allow and it’s a doozy.

Eighth Grade

Another profile of breakout star Elsie Fisher here, where she talks about making the movie and how she got started in the business.

A24 has also released a bunch of clips like this to help show people what all the buzz is about.

The Catcher Was A Spy

The real-life Moe Berg, played by Paul Rudd in the movie, is getting an exhibit at the Baseball Hall of Fame in Cooperstown.

The Spy Who Dumped Me

I missed a couple press hits in my recap.

First, an interview with director Susanna Fogel where she talks about trying to craft a story that was funny and feminist but which also an “authentic” spy movie that adheres to that genre’s tropes.

Second, a feature piece that includes Fogel along with Kunis and McKinnon where they talk about bonding on set, how they wanted to sell the comedy, the importance of showing female friendships on-screen and more.

Christopher Robin

Ewan McGregor showed up on “Colbert” and “Late Night” to talk about the movie and working with an invisible character, something he does have previous experience with.

More interviews from the movie’s premiere, which happened on the Disney lot that was transformed into the Hundred Acre Wood for the occasion. This time it’s director Marc Forster sharing how he made the movie for his own daughter and kids like her that have grown up with Winnie the Pooh. And another interview with Hayley Atwell here.

The Miseducation of Cameron Post

A number of media outlets have been rerunning interviews they did from the movie’s festival appearances, while Chloe Grace-Moretz made a few additional media appearances like this stop at “Colbert.”

Director Desiree Akhavan has also gotten a bit of press, including this interview where she talks about her festival experiences and why it is she hasn’t yet had the same mainstream success some of her contemporaries have.

Chris Thilk is a freelance writer and content strategist who lives in the Chicago suburbs.

The Spy Who Dumped Me – Marketing Recap

the spy who dumped me poster 6I’m pretty sure this week’s new action comedy The Spy Who Dumped Me could be sold simply on the fact that it stars Mila Kunis and Kate McKinnon. The two play long-time best friends who get caught up in games of international intrigue when Audrey’s (Kunis) ex-boyfriend reveals he’s a government spy on the run from enemies who want to kill him.

With the help of Morgan (McKinnon), the pair do their best to survive as they’re chased across through cities around the world, the bad guys believing they have secrets and items they’re after. The premise provides plenty of opportunity for Kunis and McKinnon to riff off each other, something we’ll see has been a prominent message of the campaign.

The Posters

A pair of posters lead things off, one with McKinnon and one with Kunis, both looking tough and ready for anything as they stand behind a transparent heart-shaped target. That’s a cool way to show that not only are these women going to stand up for themselves but that the story is what the title would imply.

A couple character posters went a bit further in explaining each character’s basic personality and the split nature of the story. The one with McKinnon labeled her as going “From unemployed to undercover” while the one featuring Kunis said she was going “From damaged to dangerous.” The same purple/blue split was used on a one-sheet that put the pair back-to-back in typical spy movie style, reassuring the audience “They got this.”

The final theatrical poster has the two ladies back-to-back assuming standard spy positions, though the gun McKinnon is holding is just her fingers. They’re looming over Paris, with supporting characters below them as well.

Lionsgate also commissioned and released a whole series of artistic posters were commissioned by Lionsgate that offer fun, colorful takes on the characters and premise. Some were just bright and vibrant, others took a more retro approach, showing the characters in very Bond-like poses and settings. Those are all viewable on the website.

The Trailers

Free of any context or setup, Audrey and Morgan are shown as the trailer opens on the run from an apparently dangerous situation. Their attempts to commandeer a car to escape are less than successful, though. Jumping back a bit, we find out Audrey’s ex-boyfriend, who recently dumped her, is CIA and is being sought by some nasty people. What follows are a lot of spy movie cliches, but with two innocent civilians in place of seasoned professionals, all leading up to the two being tortured by someone who gets more answers than she bargained for.

I’m on board. These two look hilarious together and I’m all for more subverting of the spy genre.

The second trailer is even stronger, showing both more of the story and more of the dynamic between Aubrey and Morgan. There’s an expanded explanation as to why the two find themselves in the situation they do and what sort of trouble they get into, all while relying on each other for mental as well as physical survival. I feel like this is a strong example of how the action comedy genre can be made more for the female audience since it’s about support, not constant little quips and jokes to get through rough situations. Also…Gillian Anderson.

Online and Social

There’s actually a decent amount of good material on the official website. The front page features the theatrical key art along with links to the movie’s Facebook, Twitter and Instagram profiles.

Moving along the top content menu, “Videos” has all (or most) the trailers, clips and TV spots. There’s just a simple synopsis in the “Story” section while “Cast” just has photos of the actors, not any additional information. The “Gallery” has a bunch of photos and then there’s sections for “Posters” as well as one for the “Artist Series” posters that adds information, including Twitter handles, for the individuals that created them.

Advertising and Cross-Promotions

TV advertising started in mid-July, with spots that focused on the action of the story or the ridiculous nature of that story. Additional commercials kept hitting those and other themes, with some close to release emphasizing its positive early reviews and the “dream team” of Kunis and McKinnon. Online ads used the key art to drive ticket sales.

There was a partnership with dating app Bumble that offered people the chance to win a trip to the movie’s LA premiere and members of the cast sharing their advice on creating dating profiles.

Media and Publicity

Director Susan Fogel talked about tackling the project and how she worked to make it happen when the trailer debuted at EW. The movie was part of Lionsgate’s CinemaCon showcase, designed to get exhibition execs and press excited about it.

A clip that came out a couple weeks prior to release showed Aubrey and Morgan evaluating their options after having been approached by terrorists. It was meant to showcase the dynamic between Kunis and McKinnon, the primary value proposition of the entire campaign.

Kunis got a nice Cosmopolitan profile and a bit later both she and McKinnon talked about how they’d fare as spies at the movie’s premiere. The two did a video for Marie Claire about embarrassing moments from their younger days and a joint USA Today interview had them both talking about motherhood, friendship, the movie and more.

Both stars made the media rounds, with Kunis offering the “Kimmel” audience a good synopsis of the movie’s story and McKinnon generally being herself among other appearances.

Overall

It’s obvious Lionsgate has wisely decided the premise of the movie is secondary to the core selling point: The comedic interplay of McKinnon and Kunis. That’s a strong bet to make.

What’s a bit surprising is that the studio didn’t adopt more tactics similar to what’s been done for movies like Bad Moms and a few others, specifically make a strong appeal to women to see this with a group of friends. There was one promotion in conjunction with Atom Tickets to celebrate National Girlfriends Day recently, but that’s it.

Still, with lots of nods to other spy movies and an emphasis on the way the lead characters adapt and survive whatever is thrown at them, it’s still a strong campaign.

PICKING UP THE SPARE

Lots of new interviews from late last week with director Susanna Fogel, who talked about casting the film and telling a story about a strong female friendship, the (slightly) increased willingness by the studios to tell heretofore underrepresented stories, the sometimes choppy waters of her career to date, how filming action sequences helped her embrace her “inner badass” and more.

 

I missed a couple press hits in my recap.

 

First, an interview with director Susanna Fogel where she talks about trying to craft a story that was funny and feminist but which also an “authentic” spy movie that adheres to that genre’s tropes.
Second, a feature piece that includes Fogel along with Kunis and McKinnon where they talk about bonding on set, how they wanted to sell the comedy, the importance of showing female friendships on-screen and more.