The Super Bowl LV Movie Commercials

OK, but we can all still agree Tom Brady is the worst, right?

As the date of Super Bowl LV approached, there were a number of stories indicating Hollywood studios may not be throwing the game much support. Indeed, in a year where the number of overall commercials that were teasing their spots in advance – or releasing them in full – in advance of the game seemed to be low, studio advertising seemed to be following the trend.

The reality turned out to be slightly different. While the number of movie commercials was certainly lower than it has been in past years, there were more than appear to have been expected.

Reasons for the dearth of movie spots likely vary, but factoring heavily into studio considerations has to be that of the nine movies advertised during last year’s Superb Owl, six still haven’t come out. That’s in part because of the coronavirus theater closures and the insistence – on the part of the studios, filmmakers or both – that the movies go to theaters and not streaming. Of the remaining three, only two actually did get a traditional theatrical release, but only just under the pandemic wire. The other one – Disney’s Mulan remake – went to streaming via Disney+.

So what movies were advertised last night?

The Super Bowl LV Lineup

Nobody (Universal, 4/2/21): Bob Odenkirk as a criminal “auditor,” someone who comes in to clean up a mess someone else has left, may seem like an odd choice given it’s not a franchise or remake. But when you see that Universal is selling it as a slightly more comedic John Wick and consider Odenkirk’s profile is still high given his starring role in “Better Call Saul,” it makes a bit more sense.

Old (Universal, July): This is the first look at the new film from M. Night Shyamalan, who is enjoying a career and reputation resurgence, so Universal must have felt it had enough appeal to advertising during the game. It teases the usual Shyamalan mystery, clearly trying to get some word of mouth speculation and anticipation built up.

Raya and the Last Dragon (Disney, 3/5/21): Like Mulan, Disney will offer this Raya on Disney+ via “Premier Access,” meaning an additional fee on top of the standard subscription charge. I’m a little surprised, then, that the spot is so action focused and doesn’t offer more of a comedic pitch like the recent trailer.

F9 (Universal, 5/28/21): The only repeat from last year, F9 was one of the first movies to have its release date pushed an entire year, meaning unlike others it hasn’t gone through 13 cycles of “oh it’s coming out now…no, now…no, wait…”.

Coming 2 America (Amazon Studios, 3/5/21): The only pure-play streaming movie of those advertised, Amazon is looking for a return on the money it paid Paramount to acquire this film and so sells it using scenes and other gags that are likely familiar to fans of the first movie.

Without Remorse (Amazon Studios, 4/30/21): OK, not actually a full-blown movie commercial, but Amazon took advantage of Michael B. Jordan being in their commercial for Alexa (which oddly sexualizes technology in a way that we shouldn’t be wholly comfortable with) to also plug the Tom Clancy adaptation he stars in. The movie, another Paramount acquisition, got a new release date as well.

What Was Missing?

With just five movies making the cut, and knowing the struggles studios have had with release dates, it’s hard not to read into which titles were notable by their absence from the ad lineup.

No Marvel: You might think if Marvel Studios/Disney believed Black Widow was actually sticking to its early May release date, a commercial would have run. Instead, the only Marvel property to be advertised was the upcoming “Falcon and the Winter Soldier” Disney+ series. That decision may also represent producer Kevin Feige’s recent focus on series over movies, but still…

No HBO: This is actually the most surprising of the omissions. HBO has been releasing a number of commercials and other promos in the last two months to raise awareness and interest in the fact that HBO Max will stream Warner Bros.’ entire 2021 lineup day-and-date with theatrical release. So to not see a commercial here that touts the release of titles like The Suicide Squad, Godzilla vs. Kong and others – in addition to the rest of the service’s catalog, seems like a missed opportunity, especially after the success of Wonder Woman 1984 on the platform.

No Netflix: Similarly, Netflix made headlines recently when it announced it would release a new feature film every week of 2021. Given the…fungible…nature of studio release dates over the last 11 months, such reliability coupled with ease of access could have been a great boost to subscriber numbers. That’s especially true when you consider some of those movies are big-budget action films and comedies starring Dwayne Johnson, Ryan Reynolds and others in addition to the usual mid-tier dramas and tear-jerking romances.

With Movies Paused, Super Bowl Ads In Question

Big Game, But What Movies Will Be Advertised?

Here’s how Jason Lynch opens his Adweek article on where CBS is in its attempts to sell commercial time during next year’s Super Bowl:

As the NFL regular season nears its halfway point, the clock is ticking for marketers to decide whether they want to be a part of Super Bowl LV, which is scheduled to air Feb. 7 on CBS.

The clock is indeed ticking. Surely some movie studios are considering whether or not to participate and air spots for their upcoming films during the broadcast. But with the Hollywood release calendar constantly in flux – including Disney’s recent removal of Free Guy and Death on the Nile from this December – and coronavirus cases hitting new highs every day, it’s nearly impossible to even guess what movies might make the cut. Heck, it’s even legitimate to ask if the game itself will happen as scheduled.

Of course that won’t stop me from engaging in a little largely unfounded speculation, broken down by studio below.

Disney et al

The King’s Man: This one has been moved around quite a bit by the studio so far, originally scheduled for November, 2019 but is now planned for February 15, 2021. If, at the end of January, that date is still locked then Disney may hope to get a bit of last-minute awareness and attention with a commercial during the game.

Raya and the Last Dragon: The game being a month out from Raya’s current release date means a spot would be hitting right as the marketing campaign was ramping up in earnest.

Black Widow: Of all of Disney’s releases in the first half of 2021 this one seems the most likely, assuming that the current 5/7/21 date holds. The game would provide a big platform for Marvel Studios to essentially relaunch the MCU, which has now been on hold since the middle of 2019.

Cruella: Disney has only stumbled once or twice with its live action remakes/adaptations in recent years, and it’s probably hoping the charm of Emma Stone in the title role makes this one a success. Those titles seem to appeal to all age groups and a Super Bowl spot would reach a broad range of demographics.

Paramount

Tomb Raider 2: The first movie wasn’t a massive blockbuster, but Paramount is in desperate need of a franchise so it was good enough to warrant a sequel. Some of the first advertising for the original happened in the 2018 NFL playoffs, so the studio might hope to tap into the audience one more time.

A Quiet Place 2: Similarly, the 2018 Super Bowl was the launching pad for TV advertising for the original movie, spots that instantly generated massive amounts of buzz for what everyone agreed looked like an intriguing concept and story.

Warner Bros.

Tom and Jerry: Even if movie theaters are still closed, it’s at least a somewhat safe bet WB keeps this on its 3/5/21 date, meaning Super Bowl spots could run that promote a Scoob!-like PVOD release.

Godzilla vs King Kong: This movie has been sporadically promoted since it was announced in late 2015, with several delays happening even before the pandemic. Assuming it’s actually happening, a commercial here would come three months before release, which isn’t unheard of for bigger titles.

In The Heights: Advertising a musical in the highest profile sporting event of the year might seem odd, but WB might hope that audiences are as enamored by musicals – especially those with a connection with Lin-Manuel Miranda – to give it a shot.

Sony

Morbius: This is just a reminder that Morbius is a movie that’s actually happening, so unless Sony decides to dump it somewhere it will likely want to promote it.

No Time To Die: This is the rare instance where the constant pushing of release dates may actually be advantageous, providing an opportunity to put commercials for it in front of a sizable audience.

Ghostbusters: Afterlife: As above, moving this to June means Sony could give this release a big platform. Such a platform might help it reach an audience that needs to be convinced to come back to the Ghostbusters franchise after the disappointing results of 2016’s Paul Feig-directed installment.

Universal Pictures

F9: If the movie is still coming out in June, it will get a Super Bowl spot. End of story. It’s not even a question.

Amazon Studios

Without Remorse: The streaming companies have for years been talking about how they want and need an blockbuster action franchise of their own but so far that’s eluded them. After grabbing this from Paramount, Amazon could want to make a huge deal about a high-profile release with a big-name star debuting on Prime Video with a commercial during the game.

Still…That’s a Lot of Money

CBS is charging $5.5 million for a 30-second spot, according to Lynch. While the studios might not have to pay that full amount, advertising during the Super Bowl would still be a big and expensive bet to make.

To make that bet worth it, the theatrical picture would have to not only be more secure it would almost have to be a mortal lock. And considering they would be making that bet at least a month or so out from release it becomes even more uncertain. Even if a vaccine is available by February, its distribution won’t be anywhere near universal, meaning there could still be closures and other restrictions in place.

A more complete picture of what studios are placing that bet and what movies they’re choosing to advertise will hopefully be more clear in the coming months.