Spider-Man: Far From Home – Marketing Recap

You can read my full recap of the marketing campaign for Spider-Man: Far From Home at The Hollywood Reporter.

Online and Social

Surprisingly, the movie’s official website is actually pretty basic and a little boring. It just has the standard marketing content along with a “Fan Art” section that’s a nice touch. There are also links to the Facebook, Instagram and Twitter profiles.

Media and Publicity

Before any other formal publicity had started, Holland showed up in a skit on “Jimmy Kimmel Live” to retrieve his mask and let people know the movie was coming out in the summer of 2019. In early December, Gyllenhaal joined Instagram with a post teasing his role as the movie’s big bad.

Gyllenhaal talked about how this was the right time for him to make the move into big productions while he was promoting Velvet Buzzsaw earlier this year and how he was obsessed with his costar Holland.

During the Avengers: Endgame press cycle, Marvel’s Kevin Feige revealed that this, not Endgame, was actually the final entry in Phase Three of the Marvel Cinematic Universe, though he was still vague on when the story actually takes place. How that movie impacted this one was the subject of an interview with the creative team. Holland also teased what’s in store for Peter Parker as he tries to be a super hero outside his native New York City.

After the second trailer came out and created all sorts of post-Endgame questions Watts addressed some of them, including how the time jump from that movie might impact the characters in this one.

Much of the primary cast appeared on “Jimmy Kimmel Live” to talk about shooting the film and what they thought of it in relation to Endgame. They also made a surprise appearance at Disneyland to the delight of visitors to a stunt show featuring Spider-Man.

An extended bit on a later episode of “Jimmy Kimmel Live” was billed as an “exclusive clip” but was really just a fake scene with Kimmel playing a dry cleaning employee interacting awkwardly with Peter Parker.

Holland appeared on “The Late Show” to share stories of filming the movie and more. He later teased there were rough plans for him to make a brief cameo in Into the Spider-Verse that were spiked early on in the process. Zendaya stopped by “The Late Show” to talk about filming and stunts and more.

Watts talked more about how he worked over the last couple years with the Russo Brothers to make sure his movie worked in connection with theirs and what surprises he’s planted for fans. He also later explained that scenes included in the trailer that were cut in the final film would reappear in a new short on the home video release.

The cast made an appearance in costume at a Los Angeles children’s hospital to visit patients there.

The Gyllenhaal/Holland pairing on the publicity circuit isn’t quite at Gyllenhaal/Reynolds, but it’s close, reinforced by the results of the photo shoot for another EW cover story.

Overall

One more point I didn’t fully make in my THR column was that, upon further review, there were almost no story stakes presented the campaign for the movie. Sure, Spidey seems to team up with Mysterio at the behest of Fury, but beyond stopping a handful of ill-defined creatures, what does it matter? Neither that showdown nor Peter’s crush on MJ are shown in any way that the outcomes matters in a tangible way.

That’s remarkable and shows that with these massive event movies you don’t need to make the audience care about the characters or story, just show them that they’re there.

Picking Up the Spare

There have been a lot of conversations with the movie’s writers and directors, including one where the writers discussed *that* Nick Fury line from the trailer. The costume designers also talked about the looks sported by Spidey and Mysterio. 

EW offered lots more on the movie, including reports from an earlier set visit and an exclusive custom Snapchat lens.

The movie reportedly received $288 million worth in media promotions from Sony and its partners.

Gyllenhaal’s appearance on “The Late Show” continued the love fest between him and Holland.  

Let’s Look At Some of 2019’s Anticipated Movies

With 2018 now in the rearview mirror, it’s time to look forward to what’s coming to audiences by way of feature releases in 2019. Thanks to a number of media and theater-adjacent companies we have a decent idea of what people are looking forward to.

While every news site has published their own lists of films its staff is anxious to see, a few have been released based on survey results and they show a lot of commonalities, both in specific titles and rationales. Let’s take a look at what Atom Tickets, Fandango and IMDb have to tell us about what has gotten people’s attention among the upcoming releases.

  • Avengers: Endgame (Atom #1, IMDb #2, Fandango #1)
  • Captain Marvel (Atom #2, IMDb #1, Fandango #2)
  • Spider-Man: Far From Home (Atom #3, Fandango #4)
  • Toy Story 4 (Atom #4, Fandango #5)
  • The Lion King (Atom #5, Fandango #7)
  • Star Wars: Episode IX (Atom #6, Fandango #3)
  • Aladdin (Atom #7, IMDb #9, Fandango #8)
  • X-Men: Dark Phoenix (Atom #8, IMDb #3,
  • Glass (Atom #9, IMDb #7, Fandango #6)
  • Jumanji 2 (Atom #10)
  • Hellboy (IMDb #10)
  • Joker (IMDB #8, Fandango #10)
  • It: Chapter Two (IMDb #6)
  • Once Upon A Time In Hollywood (IMDb #4)
  • Dumbo (Fandango #9)

So what do all those titles and their rankings tell us?

Super Heroes Continue To Be Big Draws

Six movies out of the 15 spread across the three lists feature comic book characters, with Marvel’s Avengers and Captain Marvel releases appearing at or new the top of them all along with the Spider-Man sequel produced in partnership with Sony Pictures. Marvel is also the source for the latest X-Men installment, one of two coming out this year that have been repeatedly pushed down the release calendar by Fox for various reasons. Add to that the new Hellboy movie with David Harbour in the title role and the Joker solo feature and you have lots of comics-based IP in theaters, not to mention the other films not on this list. Given that “critics finally embrace super hero movies” was one of the dominant themes coming out of 2018 and this isn’t at all surprising.

Sequels and Remakes Oh My!

With the exception of Quentin Tarantino’s Once Upon A Time in Hollywood on IMDb’s list, everything here is either a sequel or remake of an earlier film. I’m including in that category the Joker movie since the character is so well known even if this is a new take independent of previous film incarnations. So studios aren’t going out on many limbs, at least not with the movies that have already begun their hype cycles, instead choosing to remain firmly on familiar ground in an effort to best appeal to the audience that isn’t interested in taking risks with their money and time. Notably, all three non-franchise releases from Disney on the lists are remakes of classic animated features.

Disney Continues to Dominate

Of the 15 films that make up the three lists, Disney is the force behind eight of them. Those releases include not just those remakes but also new installments in the franchises they manage including Star Wars and Marvel. In 2018 Disney accounted for one quarter of total box office receipts and it’s hoping to continue gaining more and more market share even as it enters the year it’s expected to launch its own streaming subscription service. That service will be filled with similar material related to Star Wars, Marvel and other properties, including sequels or remakes of its back catalog.

Earned Media Will Help All These Films

Every title on the list comes with the kind of big press hooks that will ensure whatever paid marketing is done the main job of raising audience awareness and keeping appetites stoked will be done through the press. Cover stories, feature profiles and more have already come out about many of them and will continue to be placed by press teams regularly to offer first look photos, new interviews with the talent involved and more. Corporate synergies will also be exploited to make sure casts enjoy cozy environments on the talk shows airing on networks owned by the same companies producing the films, helping to garner even more attention and earn even more secondary media coverage.

Hey…Where’s Netflix?

It’s surprising to see none of the movies planned by the streaming behemoth on any of the three lists, except it’s actually not. Atom, IMDb and Fandango are all tied closely to the theatrical industry, especially through ticket sales, so not seeing upcoming films from Martin Scorsese, Steven Soderbergh and others is largely to be expected. But it’s likely these films will receive significant marketing pushes as their release nears. It’s also possible Netflix pulls out another period like 2018’s “Summer Of Love” where it released a number of romantic comedies and completely dominated the cultural conversation for months.

As usual, how all this turns out remains to be seen. Some of these titles will go on to be massive successes and some will fall by the wayside. But right now, these are the movies people have said they’re willing to check out, which should make studio publicity teams feel pretty good.