How A24 and Apple TV+ have sold a comedic drama about coming to terms with yourself.
Written and directed by Sofia Coppola, On The Rocks received a limited theatrical release earlier this month and this week comes to Apple TV+.. The movie stars Rashida Jones as Laura, a woman who has begun to question her relationship with her husband Dean (Marlon Wayons), feeling oddly detached from him and beginning to worry he’s having an affair. While Dean is out of town, Laura takes the opportunity to reconnect with her playboy father Felix (Bill Murray) in the hopes that getting to know him a bit better will offer insights into her own issues.
Between Coppola and the cast, the film is one of the first high profile releases from the partnership between A24 and Apple TV+. With that pedigree, it’s been sold as a breezy character piece filled with plenty of walking and talking through the streets and restaurants of New York City. Reviews to date have been largely positive, earning it an 87% “Fresh” rating on Rotten Tomatoes.
The primary selling point – the pairing of Jones and Murray in a Sofia Coppola joint – is communicated loud and clear on the one poster, released in late August. The two actors are shown in the booth of a nice restaurant. There’s not a whole lot of visual style to the design since it’s just a photo, nor is there a lot of extra information added, so the studio really is counting on the popularity of those two stars to get people’s attention.
It’s clear, from August’s first trailer (1 million views on YouTube), that Felix and Laura have a complicated father/daughter relationship, but that they’re trying to make it work. That’s made slightly more difficult by the fact that her husband is engaging in the same kind of sketchy behavior Felix did when Laura was younger and which led in part to the estrangement. Still, Felix is protective of her and the pair embark on an adventure to not only find out what’s happening but also reconnect with each other.
Online and Social
You’ll only find the very basic information and marketing material on the film’s website.
Advertising and Cross-Promotions
News that A24 had partnered with Apple for the production of original films came out in late 2018, but the specifics weren’t revealed until the middle of January, when it was announced the film would reteam the Lost in Translation duo of Sofia Coppola and Bill Murray.
Conversations about the movie potentially debuting at the Venice Film Festival did not prove successful, despite the festival’s desire to serve as the film’s coming out venue. It was, though, included in the New York Film Festival, where it was scheduled to make its premiere.
Heard in the trailer is “Identical,” a new song from Phoenix that the band released a video for at about the same time the trailer came out.
MovieClips received an exclusive clip in late September showing Felix being kind of a bad influence on his granddaughters.
Online ads like the one here were run in the week leading up to release, with both the theatrical and Apple TV+ dates noted there.
Media and Publicity
Coppola revealed some story and character points in an interview earlier this year. She and Jones were interviewed together about bringing elements of their own lives and more to the story and production as a whole.
The music of the movie was covered in an interview with Phoenix lead singer Thomas Mars, who talked not only about the band’s contribution to the soundtrack but also his role as music supervisor for the film in general.
Additional interviews with Murray had him talking about how his working relationship with Coppola has grown over the years since Lost In Translation. Meanwhile, Coppola also talked about what events and ideas inspired her to tell this story at this point in her career.
The bet that’s been placed throughout the marketing campaign – that Murray and Jones are likeable enough to be enticing to the audience in and of themselves – is not a bad one to make. That’s made even more sure when you add in Coppola, especially given her previous collaboration with Murray.
While there’s a lot of good material in the campaign, the entirety of the comes off as somewhat lacking. There just isn’t a lot here, and most of it dates back to August or so. Aside from the online ads that have run, there hasn’t been much new put out to the public since then, which means it may have fallen off the radar of a lot of folks. If there had been a few new clips, spots or other assets released in the immediate lead up to release it may have done a bit better in breaking through the clutter of [waves in the general direction of everything].
Picking Up The Spare
Jones was interviewed on “The Daily Show.”