black panther: wakanda forever – marketing recap

How Marvel has sold what became an unexpectedly emotional sequel

2018’s Black Panther was, and continues to be, one of the more solid entries in the Marvel Cinematic Universe. Sure, there were the usual problems with the antagonist and some of the special effects appear to have been completed with a Spin Art toy, but you can’t argue with the emotional honesty of Chadwick Boseman’s first full-length outing as the title hero as well as director Ryan Coogler’s ability to work some engaging elements into the story.

Now Black Panther: Wakanda Forever arrives in theaters two years after Boseman passed away from colon cancer. That’s an unquestionably tragic loss that for a time threw the fate of this sequel into doubt as everyone wondered: How do you tell another Black Panther story if the actor is gone? Aside from Hulk and Rhodey, that’s something Marvel hasn’t done much of and would have been extremely disrespectful since this isn’t just another switch but the result of an untimely passing.

Coogler and his collaborators have opted to tell another story and acknowledge the reality of the situation instead of pretending nothing happened.

The sequel finds the African nation of Wakanda mourning the loss of T’Challa and working to find a way following his revealing the truth of the nation at the end of the last movie. As the kingdom’s warriors defend it from various threats, Namor (Tenoch Huerta), the ruler of the undersea kingdom of Talokan, launches a full-scale invasion in an effort to protect his people from the surface world.

Much of the original cast, including Letitia Wright, Winston Duke, Lupita Nyong’o, Danai Gurira, Martin Freeman, Angela Bassett and others return. In addition to Huerta, new members include Michaela Coel as the Wakandan warrior Aneka and Dominique Thorne plays Riri Williams, a young woman who builds her own suit of armor to become the hero Ironheart.

With so much going on, let’s take a look at how the movie’s been sold.

announcements and casting

Coogler appeared on stage at Disney’s D23 Fan Expo in August, 2019 to announce the movie’s official release date. The fact this came a year and a half after the release of the first movie when Marvel usually sets up sequels five minutes after opening weekend was not lost on anyone.

Tragedy struck in August 2020 when Boseman passed away suddenly from colon cancer he’d been diagnosed with six years earlier. While the fate of the movie and character were the first thing on no one’s mind, it certainly left it up in the air. Coogler, in his statement on Boseman’s passing, talked about being in the midst of working on the script, including lines Boseman would never get to speak.

News then came in late November that Marvel had set a date to begin production, though details on how Boseman’s absence was going to be handled were not shared at that time. That was cleared up during Disney’s 2020 investors presentation, with executives sharing that T’Challa would not be recast but that this movie would continue to explore other characters in Wakanda.

In an op-ed, Coogler explained why he was alright with the movie’s production remaining in Georgia despite the state’s recently-passed voter suppression laws. That was in response to calls for him and other filmmakers to pull their productions.

How she and the others were preparing for the eventual filming in the wake of Boseman’s passing was the subject of an interview with Nyong’o.

The movie, along with other upcoming MCU entries, was name-checked – and given its official subtitle – in the “Marvel Studios Celebrates The Movies” video from early May.

Production officially got underway in July 2021. Coel was cast in an unnamed role later that month, with speculation she would play Storm. Also raising eyebrows was the August news that Thorne would appear as Ironheart ahead of her already-announced solo Disney+ series.

While in Cannes in May 2022 Wright spoke more about how they worked to honor Boseman while filming the sequel.

News came in July of that year that, because of scheduling conflicts resulting from the many delays in shooting, Kaluuya was dropping out of this film.

Right after that, the cast and crew appeared at San Diego Comic-Con, where they were part of Marvel Studios’ Hall H panel to talk about what fans could expect, the loss of Boseman and lots more, including the introduction of Huerta as Namor.

the marketing campaign

After the panel concluded the studio released the first poster, which shows the Black Panther helmet empty and nearly hidden in the black background, and the first teaser trailer.

That trailer (41.5m YouTube views) starts with establishing shots of some of the characters we met in the first film, all of whom seem to be collecting their thoughts and dealing with what can be assumed to be the loss of T’Challa. Then the focus shifts to what’s happening underwater. Lots of shots of characters in some form of anguish – including Ramonda’s impassioned speech about what she’s sacrificed for the good of Wakanda – and the appearance of Namor (who’s unnamed because there’s almost no dialogue here) all lead up to confrontation between the people of Wakanda and the armies of Talocan. It ends with someone new in the Black Panther garb as they prepare for battle.

Funko also revealed the first look at the movie’s line of POP! Figures at SDCC.

Right after the convention ended Marvel released a “Prologue” album including the music featured in that trailer and more.

Marvel put out a Namor 101 video in August to make sure everyone was up to date on the character.

Bassett praised Coogler and commented more about the movie when she appeared on “The Ellen Degeneres Show”. Wright did likewise a bit later on when she stopped by “The Tonight Show.”

In mid-September Disney gave attendees of its D23 event an early look at footage from the film with Duke, Wright, Nyong’o and others from the cast appearing on stage to talk about what fans can expect.

Huerta was interviewed at the event about how Namor is unique and how the character adds something new to the story.

Loungefly revealed a line of movie-inspired fashion accessories.

Empire published a cover story about the movie in September that included new images of many of the characters along with comments from the cast and crew. Some of those had Feige discussing why the role of T’Challa wasn’t recast and the revelation the movie’s running time was nearly three hours. Wright, Nyong’o and Gurira then appeared on the cover of Elle UK and were interviewed about the situation they found themselves in when it came time for the sequel.

The second trailer (31.3m YouTube views) was released in early October. It’s not too terribly different from the first spot but does add more of Namor and his attacks on Wakanda along with the rest of the surface world along with some vague comments about who he is and the threat he poses.

Shuri stands at the forefront of the heroes on the theatrical poster that came out at the same time, with the others arranged in a V formation behind her. That’s the top of the one-sheet, with Namor on his throne as others flank him upside down at the bottom to illustrate how he comes from the world below our own.

An interview with the director had him sharing how Boseman’s death had him questioning not just whether he could make another Black Panther movie without his lead actor, friend and collaborator but whether he could go on directing. There were other parts of that Entertainment Weekly package that had Duke, Thorne and others talking about the movie and story.

Exclusive posters were released for IMAX, Dolby, RealD3D, Screen X and 4DX, all of which take slightly different approaches in how they display the warring factions of Wakanda and Talokan, some of which are more like high-gloss family portraits and some of which are more artistic.

Marvel offered exclusive movie-branded apparel and other items at its New York Comic-Con booth.

A TV spot from a week later in October uses much of the same footage as the trailers but also offers the first actual dialogue from Namor, who warns “Wakanda will fall” while later on Shuri declares her defiance.

The cast also appeared in a commercial announcing tickets were now on sale.

Gurira appears in character in a Lexus tie-in commercial where she has to fight off attackers on her way to a speech, all while enjoying the comfort and amenities of the electric RZ 450e.

A set of character posters highlight Shuri, Attuma and Agent Ross.

Coel was featured on the cover of Vogue later in October while Nyong’o received feature profiles in both Vanity Fair and The Hollywood Reporter where she talked about coping with Boseman’s passing, how much she and the rest of the cast bonded once again with their grief and more.

Coogler and the cast reflected on the loss of Boseman as well as what audiences can expect in this sequel in an IMAX featurette.

Riri Williams is the focus of a Target tie-in commercial where she inspires a young girl working on a project and shopping for supplies at the retailer.

Another collection of character posters features Shuri, M’Baku and Okoye.

Bassett was interviewed for a cover story in Essence.

Viewers of the NBA games on ESPN on 10/26 got a special look at movie.

At this point the big news was that the rumors were true and a new song from Rihanna would be featured on the movie’s soundtrack. She and the studio started teasing “Lift Me Up”, with the full song dropping later in the month.

The purple carpet premiere was held at the end of October with the cast and crew along with the usual array of others from the MCU franchise and various friends in attendance. They all talked more about what they hoped this movie would accomplish as well as the emotional nature of making it.

Lexus continued its sponsorship deal to a trivia contest at that premiere.

Some members of the cast also appeared on “Kimmel” while they were in L.A. Huerta appeared on that show a few days later. Both Duke and Nyong’o showed up on “The Tonight Show” a bit after that.

A line of movie-inspired cosmetics was announced by Mac Cosmetics at this time as well.

More details about Namor’s attack on the surface were shared in an extended TV spot that features a lot more new footage than we’d seen before.

Marvel Studios teamed with the Chadwick Boseman Foundation for the Arts and the Smithsonian National Museum for a special screening of the movie that included an appearance by the cast and crew.

News came at the beginning of November that writer Ta-Nehisi Coates, who famously wrote one of the most well-received “Black Panther” comics runs in the last decade, would host a six-episode audio series featuring recollections of the character along with interviews with Coogler and others.

Further TV and online advertising was done as the weeks went on, including a sponsored playlist on Spotify and an extended spot featuring Rihanna’s original song.

Both Shuri and Attuma were added as playable characters to Marvel’s Contest of Champions mobile game.

An Ebony cover story featured all the main cast members.

Additional premiere events were held in Europe and Africa with the cast and crew in attendance.

Coogler talked about the making of the movie in a featurette that also had the cast praising him as a director and leader on set.

overall

Tracking projections estimate an opening weekend box office of at least $175m, but it’s likely the final number could be higher. That shows a lot of interest in how the story will continue given the seismic shift that occurred with the loss of Boseman.

As for the campaign itself, as is usual for Marvel Studios marketing efforts it’s so massive as to be nearly overwhelming. It’s huge, with dozens of trailers and other videos yet at the same time it manages to betray very little about the story itself save for the broadest of strokes about the conflict and such.

There’s a disconnect that runs through the campaign, though.

On the one hand you have the very emotional element where Boseman’s memory is evoked, either through comments by Coogler and the cast in the press or the overt references to T’Challa’s death in the marketing elements. On the other, you have the blatantly commercial, where all of that emotion is evoked in order to sell tie in merchandise.

Not that the two elements can’t coexist, just that the one inherently impacts the other and creates a sometimes inconsistent tone.

Regardless of all that, I think that while your mileage might vary for various individual parts of the campaign, we can all agree there isn’t enough Ironheart, who too often simply evokes some moment originated by Tony Stark 14 years ago, and that Namor’s feet wings are proof we have strayed too far from God’s light.

Black Panther Heart GIF by Marvel Studios - Find & Share on GIPHY

the 355 – marketing recap

How Universal has marketed star-packed action drama.

The 355 movie poster
The 355 movie poster

The 355, out this week in theaters, is a magnificent case study in the power of wish fulfillment.

Before going into that, the movie stars Jessica Chastain as Mason “Mace” Browne, a CIA agent who, when a top-secret weapon goes missing, assembles an international team of fellow agents to go after those who stole it before it can be used.

It’s a simple enough premise and the appeal is only enhanced when you consider the other agents Browne recruits are played by Lupita Nyong’o, Penélope Cruz, Diane Kruger and Fan Bingbing.

With that, as well as the fact the movie is directed by Simon Kinberg who cowrote the screenplay with Theresa Rebeck, established, let’s look at how the project came to be and had been sold to the public.

announcement and casting

While Chastain had pitched the idea to Kinberg while the two were shooting X-Men: Dark Phoenix, the first real announcement about it came when Chastain brought the *concept* of the movie to Cannes 2018. While there she essentially assembled the cast in an attempt to get someone interested in producing or financing it.

The actresses did their part too, basically presenting it as a done deal should someone be brave enough to step up and get the ball rolling. It was a nervy, risky move that generated a lot of attention and interest in the audience, at least, and one of many female-led projects at Cannes or coming out around that time. Rights were eventually bought by Universal.

The lead up to the movie included features like this that profiled Chastain as both an actress and advocate, particularly within the #MeToo movement.

Reports emerged in April that Fan Bingbing, who had been out of sight for months, was still going to be in the movie. A few months later Chastain announced production had officially begun. In August of 2019 Universal finally gave the movie a release date.

Most of the primary cast was in place from the outset, but Kruger replaced Marion Cotillard in mid-2019 as production was getting underway. Sebastian Stan and others were added over the course of that year.

the marketing campaign: phase one

With an initial release date set for January 2021, marketing got underway in October 2020 with the release of a poster that has the members of the assembled spy team standing side by side, each in front of the flag of their respective countries. And, as someone has pointed out on Twitter, it’s the rare one-sheet that actually has the actor standing under their own name.

A couple batches of character posters that break out each one of the leads came out at the same time.

The first trailer (7.4m YouTube views) – debuted by Chastain when she appeared virtually on “Late Night” – also came out then. Mace, we see, is being given an off-the-books project by the security service she works for and sets out assembling a crack team of experts to get the job done. Together they have to stop some very bad people from doing some very bad things, but their mission puts not only themselves but those they love back home in danger. Still, they manage to kick an impressive amount of butt.

A TV spot debuted right after the first trailer came out, showing not only the mission the agents in this movie are engaged in but also offering a bit of backstory behind the “355” designation.

Most of the cast appeared on Entertainment Weekly’s “Women Who Kick Ass” panel at New York Comic-Con, which happened just days after the trailer’s release. They talked about how unique an all-female action movie is, the fun they had doing the stunts and lots more as they promised audiences a good time at the movies.

In November 2020 it was announced Universal was delaying the film by a full year, pushing it from January 2021 to the same date a year later.

The 355 Movie GIF - Find & Share on GIPHY

the marketing campaign: phase two

As a result of that delay things went dark on the campaign until almost exactly a year after the marketing had first kicked off with the release of the second trailer (14.7m YouTube views). It covers much of the same ground as the first, but with a few tweaks and more of a focus on the objective of the team as well as the team itself.

An interview with Chastain had her talking about how the movie addresses the idea of female secret agents within the framework of the action movie and how the idea evolved over time. That story also included a new still and other looks at the film.

Short character introduction videos like this started coming out in early December.

Also in early December, Universal held a promotional event/party (seemingly sponsored by Stella Artois) in Miami with lots of music and movie-branded swag available to attendees.

IMDb debuted the first featurette from the movie showing Chastain and others talking about making an action movie and handling their share of the stunt work.

Dolby offered an exclusive clip/featurette that, like everything else, focused on the action of the movie.

More character posters were released that put each agent against a background of all the flags instead of just the one for their own country.

Additional clips also came out over the last couple weeks showing various action sequences involving different characters.

overall

The campaign’s continued emphasis on the action of the movie isn’t different from any other ensemble picture in this genre, so that’s chalked up to a tried and true tactic being executed here.

On the one hand, that’s all well and good because it means it’s not being sold substantively differently from similar movies featuring all-male casts.

On the other hand, by fitting the movie into such a well-used format it doesn’t allow the biggest unique selling point to really shine through.

GIF by The 355 Movie - Find & Share on GIPHY

I’d almost rather have seen something unusual be done here because it would have provided a stronger hook, though it’s not assured that audiences would turn out no matter what the messaging was. That’s reflected in the $5 million the movie is projected to bring in this weekend as Spider-Man once again dominates theaters and Covid continues to sweep through the country, disrupting much of everyday goings-on.

Little Monsters – Marketing Recap

A class field trip gets interrupted by the undead in the Hulu original film.

little monsters posterZombie movies almost always rely on some sort of unique hook to differentiate them from the crowd of similar projects. This week’s Little Monsters has a great one: Lupita Nyong’o stars as Miss Caroline, a teacher taking her class on a trip to a local farm/nature center. Joining her is Dave (Alexander England), who wants to impress Caroline as a rebound after recently getting dumped.

Things take a turn for Dave when he finds he has to compete for Caroline’s attention with the annoying host of a children’s program (Josh Gad) as well as the undead zombies that have escaped from a nearby military base. Caroline has to work with the two guys to keep her class full of kindergartners safe and uneaten.

Nyong’o’s status as one of the new leading ladies of thrillers has been at the center of the campaign for the movie, which has a lot of fun with the tropes of the zombie genre.

The Posters

The unusual nature of the story is on display on the poster, which shows Caroline jumping with enthusiastic joy with her guitar in hand but also jumping to avoid the reach of the decaying zombie hands seen grasping from the bottom of the photo. That communicates nicely how while this might be a zombie movie it’s going to be one with a slightly different attitude and tone – also emphasized by the bright yellow used in the background – than audiences might expect.

The Trailers

The first trailer finally came out in September. It starts out with Caroline and Teddy leading a class of youngsters on their farm field trip, one that gets interrupted by the sudden appearance of flesh-eating zombies. After that we got a tongue-in-cheek presentation of the kind of mayhem and violence the movie contains as the human adults try and protect the kids from the zombies that have taken over and are searching for food anywhere they can get it.

Online and Social

It’s clear there’s a heavy NEON influence to the movie’s official website, which sports the usual marketing materials but also features the “social assets” that studio often puts on its sites.

Advertising and Publicity

Following the movie’s successful debut at the Sundance Film Festival earlier this year NEON and Hulu formed an unusual partnership for distribution rights.

Hulu gave the movie some additional publicity by using it in its “Huluween” campaign highlighting a number of scary movies and shows available on the platform.

Media and Press

A first look still from the movie was released at the same time it was announced it would be screening at Sundance. While there, Nyong’o spoke about the story’s influences and what brought her to the role.

Closer to release, Nyong’o appeared on “The Tonight Show” to engage in hijinks with the host. At the movie’s recent premiere she shared what attracts her to horror films while writer/director talked about how he came up with the idea and wound up getting it made.

Overall

It’s a fun, irreverent campaign that presents the movie as full of thrills, sure, but also one that never looses a tongue-in-cheek perspective and tone. Nyong’o obviously shines here as the teacher who’s dealing with a lot more than she expected, even while taking a bunch of kindergartners to an outdoor location.

Mostly, what’s notable is that the campaign sells the story while never appearing to talk down to the material or audience. It’s easy to do these kinds of marketing pushes in a way that slightly makes fun of the zombie trope or those who enjoy them, but this steers clear of all that and focuses on the unconventional subject matter and tone that’s used.

Picking Up the Spare

Another profile of the writer/director that explains how he conceived of the story and got the talent involved.

Us – Marketing Recap

You can read my full review of the marketing campaign for Jordan Peele’s Us at The Hollywood Reporter.

Online and Social

Not much of note on the movie’s official website aside from the standard content on a page that uses Universal’s default design template. Links are there to the Facebook, Instagram and Twitter profiles, but there’s a missed opportunity here for some kind of “Meet Your Other Self” kind of feature that offers some skewed version of a visitor who uploads a photo or takes a quiz.

Media and Publicity

EW’s 2019 preview issue in December of last year featured a first look still from the movie along with comments from Peele about how he wanted to tell a monster story. Later on Duke was interviewed about this and other recent projects, careful not to say too much about the secretive story.

A couple months before the movie came out a trailer was released for Noire, a documentary about the history of black horror films that featured Peele, very much in line with the brand he’s developed. The director was the subject of a Rolling Stone cover story profile where he talked about this movie specifically along with what kind of stories influenced it and him and how he has seized control of his career.

Blum spoke about how Peele had upped the scare quotient since his first movie.

Around the time the movie was premiering at SXSW it was featured as the cover story on Fangoria featuring an interview with Peele conducted by director Paul Thomas Anderson. The movie’s screening there was accompanied by interviews with Peele and the cast about the racial identity issues raised by the story and comments from the writer/director about how he accepted a smaller budget in exchange for the freedom to tell the story he wanted and how he was gratified by the positive comments people had in response while also making the story’s political themes clear.

Duke was profiled about how the movie is the next step in an unconventional and often frustrating career. He also showed up on “Jimmy Kimmel Live” to talk about the film and his character.

Two new tracks from the movie’s soundtrack were offered alongside an interview with the score’s composer. The efforts of the production team were also put in the spotlight as they talked about how they created parallel characters to enhance the story.

Nyong’o appeared on a special edition of “The Daily Show” to talk about the fan art that was created. The interview was obviously a bit – possibly a paid one – and comes off as a riff on “Between Two Ferns” in how host Trevor Noah is making the actress uncomfortable and acting kind of rude and clueless. She was also the subject of two profiles about how powerful and influential she’s become in the last couple years and appeared on “The Late Show.” She later spoke about the challenge of playing two versions of the same character.

Peele continued his press tour to talk about the influences that powered the movie and what scared him as a kid well as the pressure he felt in the wake of Get Out to not be seen as a one-hit fluke. Duke also showed up on the talk shows to talk about filming. There was also an interview he did where he talked about the symbolism of the scissors that can be seen so prominently in the marketing as well as what messages he wanted audiences to take away from the film.

Overall

us movie gif1

Picking Up the Spare

There were continued profiles of the main cast in the press, including both Evan Alex on his own and one with him and Shahadi Wright Joseph.

Duke was also the subject of quite a few additional profiles and interviews.