Picking Up the Spare: Game Over Man, The Last Movie Star and More

Game Over, Man

I’m not sure what the point of this “VR Experience” for the Netflix-original movie was other than to show what stoned losers the main characters are, but it’s kind of amusing in and of itself.

The Last Movie Star

There’s a new music video featuring footage from the movie for one of the songs off the soundtrack by Stranger Friends, one of the 12 the young band has on the album.

Love After Love

Another interview with Andie MacDowell about her career and taking on the role in the movie.

Blockers

Leslie Mann has done a few additional press stops including an appearance on “Late Night” to promote the movie and talk about John Cena’s butt.

Director Kay Cannon has given a couple of post-release interviews like this one where she continued talking about creating a raunchy but also emotional comedy.

This is a great example of the kind of story that’s been common throughout the movie’s publicity cycle, one that focuses on rebranding Cena as a comedy star.

Lean on Pete

Director Andrew Haugh speaks here about how he worked to tell the story of working-class residents of the Pacific Northwest in an authentic, respectful and non-cliche way.

You Were Never Really Here

A joint interview here with Joaquin Phoenix and Lynne Ramsay about the working relationship they developed and the story they were trying to tell in the movie.

Annihilation

Great points here at Indiewire that if Paramount found the movie was going to be too tough a sell, that’s partly because of a system that emphasizes IP-based movies and other blockbusters. And if audiences are upset by the movie heading (in international markets) quickly to Netflix, it’s partly because they’ve failed to turn out for difficult, complex movies and made studios question their commercial viability.

Pandas

While I didn’t cover the campaign for the documentary, I couldn’t not mention that an AR app was launched by IMAX that allowed users to see a anthropomorphized panda in the real world they could ask questions to. You can see the trailer here.

Rogue One: A Star Wars Story

Screenwriter Tony Gilroy has made comments about the troubled state of affairs he inherited prior to the much-discussed reshoots the film underwent. I’m not a huge fan of people throwing others under the bus like this, but that was a significant part of the movie’s pre-release media coverage.

A Quiet Place

The movie’s sound design has been a major topic of conversation in the press coverage and reviews, so it’s good that the team behind that work has finally gotten a profile of their own.

Director/star John Krasinski and costar/wife Emily Blunt talk here about what, if any, political messages the movie has for audiences.

Outside In

Star Edie Falco has done a bit more press than she did prior to release, including this “Late Night” appearance where she joked around with host Seth Meyers.

Chappaquiddick

Also getting in on the late night circuit is Jason Clarke, who still oddly dominates the press cycle for this movie over costar Kate Mara. I guess that’s the advantage of playing a Kennedy.

The Death of Stalin

Writer/director Armando Iannucci talks about the need for dark comedy and gallows humor in the midst of a slightly depressing reality.

Chris Thilk is a freelance writer and content strategist who lives in the Chicago suburbs.

Love After Love – Marketing Recap

love after love poster 1Two grown sons are dealing with the fact that not only has their father died but their mother is becoming her own person in the new movie Love After Love. Suzanne (Andie MacDowell) was married for decades but now that her husband has passed she’s looking to move on, including finding some new form of companionship. That causes tension between her and both Nicholas (Chris O’Dowd) and younger son Chris (James Adomian).

In both cases the tension has more to do with their own lives than that of their mother. Nicholas is dealing with the imminent failure of his own relationship while Chris has deeper issues that are worrying everyone in the family. Regardless, they both find the fact that their mother is now on her own troubling in some regard, providing the story’s drama.

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