Bad Times at the El Royale – Marketing Recap

Bad Time at the El Royale, the new movie from writer/director Drew Goddard, appears to very much be my jam. That’s because, as I state in my Hollywood Reporter-hosted recap of the film’s marketing, it looks like a throwback to the kind of ensemble thrillers that were vervasive in the early and mid-90s, when I was cutting my cinematic teeth.

Online and Social

The movie’s website is primarily interested in selling you tickets, but it also has a collection of trailers and other “Videos” as well as a synopsis and gallery of images. At the bottom of the page are links to the movie’s Twitter, Facebook and Instagram profiles.

Media and Publicity

The movie was one of those Fox showed off to exhibitors and press at the annual CinemaCon conference. Goddard offered a few comments alongside a first look photo.

There was an extensive profile of Hemsworth in mid-August that featured the actor not only talking about this film but also his career to date, which generated quite a number of headlines. Costar Cynthia Erivo also spoke about how this marked one of a couple film projects she had coming out this fall and how she’s making the shift from the theater stage to more film roles.

Bridges hit the talk show circuit in late September, just as Fantastic Fest reviews were hitting. A bit later Fanning followed suit.

It later was scheduled for the Rome Film Festival. There was also a new focus in the publicity on Erivo, who was also being noticed in a couple other current and upcoming movies.

Goddard, as a fairly well-known name in the industry, was the subject of a couple interviews where he talked about making what feels like a throwback to 25 years ago, working with the ensemble cast and more.


chris hemsworth bad times el royale dancing

Picking Up The Spare

Goddard talks here about the work he put into assembling the film’s era-appropriate soundtrack and here about getting the affably likable Chris Hemsworth to tap into a dark side.

Another profile of breakout star Cynthia Erivo here.

Kingsman: The Golden Circle – Marketing Recap

As this week’s sequel Kingsman: The Golden Circle opens, the elite British spy agency has suffered a terrible setback as a secret – and evil – organization has destroyed their headquarters and announced its intention to take over the world. Leading that charge is the organization’s charismatic leader Poppy (Julianne Moore), who maintains others have failed and so now she has to step in and clean up their mess.

That leads the surviving members of Kingsman, including Eggsy (Taron Egerton) and Merlin (Mark Strong) to seek the help of their American cousins the Statesman. That brings them into contact with Tequila (Channing Tatum), Ginger (Halle Berry) and the head of that group, Champ (Jeff Bridges). The colonials may have a different way of doing things, but the two groups have to work together to take Poppy and The Golden Circle down before it’s too late.

The Posters

The first teaser poster accompanied, and basically served as, the news that the movie was officially happening at all. It shows a pair of glasses with one lens blacked out sitting on top of a surface with the text “Reports of my death have been greatly exaggerated,” a reference to the fate of a character from the first movie who may not be as gone as fans were led to believe. The second teaser also hinted at a character, but this time a new one that was American. This came out at the same time rumors were circulating around Tatum’s involvement and seemed to confirm those. Two more did the same thing for different characters.

The next primarily conveys the idea that the story is moving across the pond in this story, with the British character on one side holding his umbrella and dressed like a chartered accountant and the other character on the right dressed in jeans and a denim jacket and holding a bullwhip.

A whole series of posters featured each individual character standing against a white background. The Brits were labeled as “Suited” while the Americans were “Booted” to differentiate the teams and Moore’s villain was “Deluded.”

Another series offered a brief explanation of who they were alongside each character.

Another put each character in front of a contextual background like a cabinet full of guns, stylish clothing, sports equipment and more.

The Trailers

In advance of the first trailer, an “Ultimate Breakdown” was released that took the viewer through much of the movie, all condensed into quick flash single frames that took just 15 seconds to cycle through. It certainly worked to get people talking.

The first trailer starts with a brief recap of how Eggsy was recruited as a Kingsman before an important building is destroyed. That sets things in motion and there’s little story on display in the rest of the trailer, which is primarily concerned with showing off the action sequences. Along the way we get hints of the American counterparts they’ll encounter before a major reveal is made at the very end.

Before the panel at San Diego Comic-Con a red-band trailer was released that explains a bit more about the challenge the Kingsmen are facing and what brings them to America to work with the Statesmen. It’s violent and high-concept and looks awesome.

One more short trailer introduces us to Poppy and The Golden Circle. She’s bringing her secret organization out of the shadows because she feels society has failed, leading to lots of destruction, villainy and…dancing?

Online and Social

The theatrical key art sits at the top of the movie’s official website, just above links to the Facebook and Twitter profiles created by the studio as well as prompts to watch the trailer or buy tickets.

Scroll down and you can check out a bunch of the “Videos,” including the trailers, clips, TV spots and a few featurettes focusing on the stunt work involved in making the film. After that “About” has a story synopsis and cast and crew list. “Posters” lets you view, download or share many of the one-sheets.

After a section encouraging you to sign up for email blasts there’s “The Goldin Foldin,” a page you can print out with an original Al Jaffe (of MAD Magazine fame) illustration that can folded into a new image much like his landmark works on the back of that magazine.

There are a few activities under “Featured Content” that are relevant to the movie. “Gallery” has some production stills to check out. You can download a mobile “Game” that allows you to play as a Kingsman. Finally, “Social Updates” brings in posts from the movie’s social profiles.

Advertising and Cross-Promotions

Whiskey also figured heavily in the first TV spot for the movie, which aired, appropriately enough, during the Kentucky Derby. This one was heavy on the story’s American connections, following the British team as they travel to Kentucky and meet the Statesmen, with scenes in a distillery and more being the focal point.

Further TV spots leaned heavily on how the Kingsmen and their American counterparts had to team up to save the world, with plenty of violent gunplay and other action shown. A ton of commercials were released over the course of the last four to six weeks prior to release, each taking a slightly different approach to selling the story but all playing up the slapstick violence. There were so many spots the movie was the biggest TV spender in the last couple weeks.

There were a number of promotional partners for the movie as well, including:

  • Old Forester, which created a special label of its bourbon whiskey named after the American version of the Kingsmen that’s introduced in the movie. That new product, framed as a partnership that was integral to the movie, received an extended video spot to introduce it to the audience.
  • VisitBritain and Expedia Media Solutions, which partnered on a campaign to encourage U.S. travelers to head across the pond. That campaign included banner and other online ads, an online game and exclusive content on and more.

Media and Publicity

The first bit of real publicity for the movie came in the form of an announcement of its title, which was enough to get people talking. It was quite a while then until some first-look stills were released along with from Egerton, Strong and others about where the characters are when we meet them again in this installment.

Vaughn talked about Moore’s taking on the role of the bad guy in the series and how she pulled inspiration from an unlikely source in Entertainment Weekly’s big San Diego Comic-Con preview issue. It also received a Hall H panel at Comic-Con featuring Egerton, Tatum and other members of the cast and crew.

The movie’s panel at SDCC included the cast and crew but it opened with a fun bit of original animation that placed Eggsy in the animated world of “Archer.” The opening scene from the movie was also shown. After than EW’s fall movie preview included an interview with both Firth and Egerton where they talked about their on-screen chemistry and off-screen friendship.

There was a fun video Fox created to tie into real world events that shows the studio’s marketing team first brainstorming and then executing the solar eclipse as a promotional stunt for the movie.

Egerton, Firth, Moore and a few others did a bit of press and publicity but there didn’t seem to be much. Whether that’s because of any trepidation on the part of Fox, a scheduling issue or something else I’m not sure, but it’s odd to see a lack of interviews and other activity by the main cast.


I failed to mention at the outset that I’ve not yet seen the first Kingsman movie, so I’m missing some of the context that might be necessary for the second outing. That being said, there’s nothing about the campaign here that makes that knowledge necessary. Meaning I don’t find much about the marketing that assumes the audience knows exactly who these characters are and what they’re up to. There’s the reveal that’s placed at the end of the first trailer, but that’s about it. Everything else just sets this up as a globe-trotting spy caper involving a team of Brits and a team of Yanks trying to stop a vague and ill-defined bad guy.

It’s all played fast and loose here, with tongue firmly in cheek. This is exactly how the first movie was sold, which means it’s in-line with the tone that’s been used to market just about all the cinematic adaptations of Mark Millar’s work, including Wanted and Kick-Ass. Considering that consistent brand tone it’s a bit surprising Millar isn’t name-checked more often in the campaign. Everything that’s here is good enough if you’re inclined toward such movies, promising an action adventure that’s high on style and low on substance.

Chris Thilk is a freelance writer and content strategist who lives in the Chicago suburbs.