How Netflix has sold a new super-powered comedy.
The world of Thunder Force, out this week on Netflix, is one that is already filled with super-powered bad guys the police force is unqualified to fight. That’s why Emily Stanton (Octavia Spencer) uses the resources of the biotech company she owns to develop a serum that gives people powers to take on the villains. When her estranged best friend Lydia (Melissa McCarthy) accidentally takes that serum, the pair decide to team up to fight crime, becoming Thunder Force.
Netflix has been selling the movie in exactly the way you’d expect, highlighting the comedic pairing of Spencer and McCarthy and the outrageous super-powered situations they find themselves in.
Lydia and Emily strike heroic poses on the poster (by marketing agency The Refinery), which came out in early March. But the two are seen to have slightly different attitudes, exemplified by how Lydia’s wearing a few sponsor buttons on her uniform. The “New super. Nearly heroes.” copy makes it clear that while they might have powers they still have some work to do on using them.
Lydia and Emily are, we see in the first trailer (2.6 million views on YouTube) from early March, friends that have drifted apart, with Emily becoming super-successful and Lydia less so. When Lydia takes the super power-granting formula Emily’s been working on she gets powers, only to find Emily has already done so. The two decide to go become a pair of crime fighters, but the bad guys up their game as well, with hilarity ensuing.
Online and Social
No website and only a little bit of support, it seems, from Netflix on its brand social media channels.
Advertising and Promotions
Media and Press
Most of the press included interviews with both Spencer and McCarthy together, including an appearance on “Kimmel” where they talked about being super heroes and how the genesis of the movie is wanting to mess with costar Jason Bateman.
This is the same campaign that’s been run for a number of McCarthy’s other movies, but that’s alright since it seems to work just about every time. That is to say, each works on an equal level and makes roughly the same pitch to the audience and has about the same result. McCarthy is a known quantity and this campaign, like those before it, reinforces that message.
The major difference here is the addition of Spencer, who’s a great partner for the comedy. Whether or not all of that makes this a funny sendup of the ubiquitous super hero movie remains to be seen, but if you enjoy McCarthy and her frequent collaborations with husband Falcone, this should be in your interest area.