More from Future on the soundtrack he produced and curated, which was a big part of the marketing campaign, here. Director X has also been giving interviews like this now that the movie is out.
Also recommended is this compare/contrast of this album with that of the original.
Star Jeremy Renner’s broken arms are part of this interview with director Jeff Tomsic where he talks about all the challenges he had making the movie.
Solo: A Star Wars Story
Star Thandie Newton talked more here about the dress she wore to the premiere featuring the faces of the characters of color in the franchise to date.
Jurassic World: Fallen Kingdom
More on the Kellogg’s promotion for the movie here.
The movie is the next release to get the AR treatment from Moviebill, which is once again handing out periodicals to Regal Cinemas audiences that can be scanned using the Regal app to unlock exclusive content, including interviews (in print and AR format) with star Bryce Dallas Howard and director J.A. Bayona, a welcome message from star Chris Pratt, an interactive “dino-lab” and a sample of the dinosaurs available in the Jurassic World Alive, the location-based AR mobile game developed by Ludia.
That game is built on location and other data from Google Maps, which is helping to promote both the game and the services behind it.
Daniella Pineda has received a few profiles like this after being identified as the breakout newcomer – or at least largely unknown – in the movie. That makes the reports that a scene clearly identifying her as LGBTQ was cut, the latest instance of that happening in a major studio franchise film, somewhat awkward.
There’s also a bit of extra attention coming to co-star Justice Smith.
Director J.A. Bayona was never the focus of much of the press in advance of the movie’s release, but there was an interview with him here and another one here.
More from director Paul Schrader on the film’s disturbing characters and situations as well as his feelings and thoughts on God.
The campaign for this is one I let go by me because it seemed like a terrible mess and the post-release developments have only reinforced that decision. Here are some examples:
- The studio, along with MoviePass (which invested in the film), published a really weird and insulting Tweet positioning critics giving it a negative review as enemies of the common folk.
- That same message was conveyed in push notifications to MoviePass mobile users and is what the movie’s marketing team is selling as they float the idea Rotten Tomatoes is artificially keeping its score down.
- There’s speculation that the disconnect between that score and a strangely high audience ranking could be because of a bot/fake account campaign being mounted, something the studio denies.
As the marketing for the sequel ramps up, Turner Ignite placed a paid article on Ad Age about how Turner networks and shows helped sell the first movie to audiences.
Amazon promoted the movie’s availability on its streaming service with a Father’s Day clip featuring some of Tracy Letts’ wonderfully-delivered lines from the movie.
The Incredibles 2
More from costar Holly Hunter in this brief interview.
A Wrinkle In Time
It seems Disney used the tactic of pairing this movie, which is already on home video, with The Incredibles 2 at drive-in theaters around the country to help it eek past the $100m mark.
Avengers: Infinity War / Deadpool 2
Josh Brolin is interviewed about how popular he is right now and how that kind of bothers and worries him.
OK, I’ll grant you that co-star Peter Fonda’s Tweet about Bannon Trump was in poor taste, but right now the last person who should be asserting any sort of moral highground on literally any issue at all is Donald Trump Jr. Indiewire has the whole recap, including Sony Classics’ position on the matter.
Christopher Plummer’s character was based in part on the real life grandfather of director Shana Feste.
The Catcher Was a Spy
The New York Times delves into the real history of Moe Berg, played by Paul Rudd in the movie.
An exhibit of the movie’s costumes will be on display at the Smithsonian National Museum of African American History and Culture.
No, it wasn’t a real movie, but the campaign for Tourism Australia that sure looked like a movie’s marketing push just won multiple awards at the Cannes Social Lions.
Chris Thilk is a freelance writer and content strategist who lives in the Chicago suburbs.