doctor strange in the multiverse of madness – marketing recap

How Marvel Studios has sold a supernatural trip into alternate realities.

It’s been about six years since the concept of a multiverse was introduced in super hero mass media, meaning outside of the source comics. That introduction came in a 2016 episode of “Supergirl” that featured Barry Allen from “The Flash” accidentally vibrating from his universe into hers.

Doctor Strange in the Multiverse of Madness movie poster
Doctor Strange in the Multiverse of Madness movie poster

But in the Marvel Cinematic Universe the idea was introduced just last year in Spider-Man: No Way Home and is now being expanded upon in this week’s Doctor Strange in the Multiverse of Madness.

A sequel to the first Doctor Strange movie in 2016 (though the idea of a sequel is kind of outdated since the character has appeared in major roles in four subsequent MCU releases), Benedict Cumberbatch returns as Dr. Stephen Strange, the now-former Sorcerer Supreme of Earth. After the events of Spider-Man: No Way Home, the multiverse is now cracking and becoming a danger to our reality. To help him fight back – and fix the mistake he made by opening the door to alternate universes to begin with – Strange will need the help of Wong (Benedict Wong) and Wanda Maximoff (Elizabeth Olsen) as well as new ally America Chavez (Xochitl Gomez).

Rachel McAdams also returns as Christine Palmer, who will perhaps have something tangible to do in this movie, along with Chiwetel Ejiofor as mentor-turned-rival Karl Mordo. And there are some surprise (or not so surprise) appearances as well.

So with all that as prelude, let’s take a look at how the movie has been sold.

announcements and casting

Marvel Studios’ presentation at San Diego Comic-Con 2019 served as the platform to announce a release date as well as the movie’s full title. As the Covid-19 pandemic ravaged the country, though, that release date was pushed back a few times.

The movie, along with other upcoming MCU entries, was name-checked in the “Marvel Studios Celebrates The Movies” video from early May 2021. That came after significant discussion and speculation of how the hit “WandaVision” series on Disney+ may be impacting this movie.

In early 2020 the news came that Scott Derrickson, who directed the first movie and was announced as the helmer of the sequel, was stepping down from that role but would stay on as a producer. A short while later reports came that Sam Raimi was in discussions to take over, reports that were confirmed in April of 2020. And Marvel imported a new writer from its “Loki” series on Disney+ to take over script work.

Raimi’s role as director was confirmed at Disney’s investors presentation in December of last year, as was the fact that the film would feature America Chavez and that McAdams would return to her thankless role from the first movie.

An interview with Raimi from October 2021 had the director admitting he was hesitant to come back to the Marvel world.

Reshoots/additional filming that started in mid-November raised some eyebrows but didn’t seem like a major deviation from the norm for MCU productions.

the marketing campaign

The formal marketing of the movie finally got underway in late December, mostly because it needed to wait for Spider-Man: No Way Home to be released since that film leads directly into this one.

Along those lines, Wong’s warnings for Strange to not cast the spell open the first teaser trailer (40.2m YouTube views) after first being seen in the Spider-Man trailers. After some trippy visuals of cities forming at odd angles we see Strange seek out the help of Wanda, who’s chilling after the events of “WandaVision”. From there we’re shown that Mordo and others are going to confront Strange about his breaking of reality and more.

The way Strange and Wanda’s faces are interchanged on the poster released at the same time continues to show her importance to the story and the fact that we’re dealing with shards or remnants of different versions of these characters.

Raimi commented on the state of filming, including those reports of reshoots, in a brief interview a bit later.

In early January 2022, Marvel announced a new Doctor Strange series it billed as being a good entry point for those who aren’t already fully-immersed in the character’s history and backstory.

The first full trailer (50.3m YouTube views), released in mid-February, opens with Strange still haunted by the fallout from cracking open the barriers between universes. While he enlists Wanda’s help to put things back in order, Mordo brings him before a group of people to answer for his actions.

There’s a lot that’s teased in that trailer, including:

  • Patrick Stewart’s voice hints at him appearing as Charles Xavier for the first time in the MCU proper
  • And the tribunal Strange is brought to is most likely The Illuminati, of which Xavier is a member
  • Wanda’s line about Strange being a hero after breaking reality while she’s been shunned is [fire emoji]
  • There are clearly multiple versions of many of the same characters on display here, including Strange, Wanda and others
  • America Chavez, ladies and gentlemen

Various characters and settings appear in the shards of reality surrounding Strange on the next poster, released at the same time as the trailer. Notable that for as much as Raimi is highlighted in that trailer, his name doesn’t appear here.

Cumberbatch was given a star on the Hollywood Walk of Fame in late February, with Feige introducing him and commenting on how Strange is now, with Tony Stark no longer available, the core character of the MCU.

Empire Magazine had two movie-themed covers for an issue that included interviews and photos.

The first TV spot came out in early April and hits many of the same beats as the trailers, focusing on Strange convincing Wanda to help him fix the multiverse and the problems they’re all going to face in trying to do so.

Dolby Cinema’s exclusive poster has Strange looking out the shattered remains of the window of his home, an image that follows the earlier poster that has the same window breaking around him as a metaphor for the various realities that have splintered. RealD 3D’s poster has the main characters all spinning out of themselves, reinforcing there are multiple versions of each that will play into the story. A different take on the same idea is used on the Screen X poster, which also makes Wanda’s role appear much more significant, as well as on the IMAX one-sheet.

For the official theatrical poster, many of those ideas are brought together, with Strange in the background (a position that seems more like how villains are usually placed on these posters, which is interesting), Wanda up front and the rest of the characters placed around them.

Doctor Strange In the Multiverse of Madness online ad

An extended TV spot came out in early April when tickets went on sale that also expands on some of the themes we’ve seen previously. Especially prevalent here is how much more Wanda’s journey seems to parallel Strange’s as we see some of her alternate realities, including one where she has her two children.

At this point, in what has become an unfortunately common occurrence, comics writer Joe Casey, who created the character America Chavez for Marvel Comics in 2011, spoke out about the “pittance” he was offered by the company for her use in other media. Casey rightfully notes that while Marvel owns the character outright, it’s become standard for the freelance writers and artists to receive little more than a hearty handshake and tickets to the premiere when the movies and shows those characters appear in make hundreds of millions of dollars. The point, he said, was not even for him to get a big check from Marvel but to affect change in the industry as a whole so those who come along later can benefit more substantially from the success of their creations.

Back to the campaign, another TV spot emphasizes how the movie is meant to be seen on the big screen, which is why it’s coming exclusively to theaters. It’s somewhat of an odd message considering Disney has sent a number of movies, either from Marvel or Pixar, straight (or very quickly) to Disney+ streaming recently. So it’s almost reinforcing the notion that streaming is a second-class distribution platform that degrades the “event” nature of content.

Character posters for Strange, Mordo and Christine Palmer came out next, followed by the first featurette that has Cumberbatch, Olsen, Wong and Raimi talking about the dark, dangerous nature of the story.

More TV spots continued to come out, including a cross-promotional commercial from Tide that has Wong using the laundry detergent to get Strange’s cloak clean before the doctor gets back.

Another beat that has become common recently came next when the movie was banned in Saudi Arabia for mentions of America Chavez being gay.

The next featurette from later in April focuses on Raimi’s involvement, from how he got the gig in the first place to the unique vision he brought to the production and story.

The Illuminati will see you now

That it’s The Illuminati sitting in judgment of Doctor Strange was confirmed in a TV spot that marked 10 days before the movie’s release.

Disney used its CinemaCon 2022 presentation in late April to tease this movie, among others, and affirm its commitment to theatrical releases. Part of that presentation included the news that the first trailer for the much-anticipated Avatar 2 would play in front of this movie in theaters.

The Illuminati are teased once again in another TV spot that also features what seems to be an appearance by Captain Carter, an alternate universe Peggy Carter (played by Hayley Atwell in previous movies) who was given the Super Soldier serum instead of Steve Rogers that first appeared in the “What If…?” Disney+ series last August.

It’s the same themes explored on the final poster that we’ve seen before, just with a slightly different spin.

Cumberbatch, Olsen and Raimi appeared at the Berlin stop of the movie’s global press tour. They were joined by Wong in London.

Another featurette that came out in late April focuses on Wanda and how this movie is a continuation of her story from “WandaVision” along with offering multiple versions of the character.

An interview with Raimi had him talking more about how he approached his return to the world of super hero movies, what regrets he has over how the last sojourn ended and more. Unfortunately much of the attention paid to the interview focused on scrapped plans for a fourth Spider-Man installment instead of on the film he’s currently promoting.

Marvel held the movie’s red carpet world premiere this past Monday with the cast and crew along with others involved in other aspects of the MCU in attendance.

The Contest of Champions mobile game announced the addition of Wong and Rintrah, a character glimpsed in the trailers, as champions in a coming movie-themed event.

Cumberbatch appeared on “The Tonight Show” to talk about this movie and more.

overall

Let’s go back to Feige’s comments in February about Doctor Strange now being the “anchor” of the Marvel Cinematic Universe.

That makes a lot of sense considering the supernatural direction Marvel Studios has been going in over the last couple years since Avengers: Endgame concluded the first phase of the series. “WandaVision” is a big part of that shift, as is the just-finished “Moon Knight” series along with the introduction of Black Knight and Blade at the end of The Eternals.

That aside, the campaign here is an interesting mix of picking up where “WandaVision” left off and exploring the many opportunities available by embracing the multiverse. We see the latter in how the second half of the marketing, especially in the TV spots, gave more screen time to the alternate versions of Strange and Wanda while also spending a lot of energy setting up The Illuminati and teasing Captain Carter and other new characters.

Get Ready Disney GIF by Marvel Studios - Find & Share on GIPHY

Tracking projections estimate a $175m opening weekend for the film, which has an 80% Fresh rating on Rotten Tomatoes. The tracking in particular represents not the power as much as the size of this marketing push, which has been pervasive. When the campaign works, though, it’s pretty strong, especially in how it seeks to put Olsen’s Wanda Maximoff at the center of the story as much as Strange is.

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Marvel Phase Four: Sure, Let’s Do That?

The conventional wisdom seems to be that the movie news and trailers that came out of San Diego Comic-Con were lackluster at best. Sure, a few surprises were dropped like the Walking Dead movie announcement, but in general there weren’t too many jaw-dropping headlines generated. That’s not surprising given Sony, Warner Bros. and Disney (with a notable exception) all sat out the convention.

An exception to that rule was Saturday night’s Marvel Studios panel in Hall H. It was there that the studio finally provided a number of insights into what they have in store now that Avengers: Endgame has put a cap on the first 11 years of stories that have spanned two dozen films. In addition to a number of series for the Disney+ streaming service, those plans include the following films:

  • Black Widow (2020)
  • The Eternals (2020)
  • Shang-Chi and the Legend of the Ten Rings (2021)
  • Thor: Love and Thunder (2021)
  • Doctor Strange in the Multiverse of Madness (2021)
  • Blade

marvel studios comic con 2019 thor doctor strange black widow shang chi eternals blade

Unlike announcements from other comics publishers/movie studios, this lineup will likely turn out to be entirely legit and be close to what actually hits theaters. Something may slip by a week or two here or there, but with full casts and creative teams largely locked in it would be a safe bet that all five of these movies come out in the next 30 months.

Of course there are a few notable things about that lineup that need to be considered.

It’s So Weird

Like really weird.

Doctor Strange dealing in some manner with the Multiverse isn’t actually the weirdest of the bunch. That honor goes to The Eternals, a mysterious ancient race created by Jack Kirby after he returned to Marvel following his sting at DC, where he created The New Gods (also being developed for an upcoming film). Some recent stories have tried to retcon aspects of the characters through memory issues and other tricks, but the premise of them being hundreds of thousands or millions of years old and having incredible powers seems to remain largely intact.

Even the titles seem more playful and eccentric than what we’ve seen in the past. Not how Doctor Strange and Shang-Chi don’t actually have subtitles but instead have long, crazy titles that serve as plot summaries. They both sound like the kinds of titles given to film serials in the 40s. And Thor’s subtitle along with the supporting title treatment look like either a PC video game from 1986 or a hard rock album from the same year.

It’s Diverse

It’s great that Natalie Portman is finally getting her own Black Widow movie 10 years after Natasha was introduced in Iron Man 2. That’s a win.

Also good is that Marvel cast an inclusive group of actors for The Eternals. And Shang-Chi features an ethnically appropriate cast, perhaps in part because of the blowback the studio encountered when it cast Vague White Guy #4,382 in the lead role on “Iron Fist” for Netflix and didn’t want to replicate that mistake.

Of course what got the most headlines was that Tessa Thompson hinted – and Kevin Feige later confirmed – that her Valkyrie character was actually LGBTQ and would be more explicitly so in the upcoming Thor movie.

It’s all a far cry from the “Oh look, another white dude named ‘Chris’” approach taken in the casting for the first decade of films.

It’s Got Natalie Portman

Portman hasn’t been seen in the MCU since the second Thor movie, at least in part because she reportedly wasn’t thrilled with how little her character Jane Foster was being given to do. Her not being in Ragnarok was explained away by Feige when he pointed out the movie’s cosmic setting wouldn’t allow Foster to be part of the story but Portman has made other comments about being done.

You have to think, though, that she watched Ragnarok and, like the rest of us, thought that looked like a lot more fun than the previous Thor movies. The prospect of working with director Taika Waititi combined with the story seemingly being inspired by Jason Aaron’s recent comics run that had Foster taking up the mantle of Thor and it’s easy to see why she would make a much heralded return.

It’s Got An Easy Out

What jumps out from the lineup of films here is the lack of connective tissue. There’s no Avengers-like central point that everything seems naturally inclined to come back to and connect with. While there are two sequels and one character spinoff, the rest are essentially one-offs that, to my knowledge, haven’t been setup in previous stories.

That means that if any of these experiments with the absurd don’t pan out, it’s easy for Marvel Studios to say “Well that didn’t work out. We’re going back to the drawing board.” before Phase 5 – which could include the not-announced Fantastic Four, “Mutants” or other sequels for Captain Marvel and Black Panther – kicks off.