Picking Up the Spare – Blockers, Lean on Pete, A Quiet Place and More

6 Balloons

There have been a few profiles of Abbi Jacobson in the wake of the movie’s release, most of which focus on how different this is from “Broad City,” which she’s most widely known for and her first real dramatic role.


Similarly, director Kay Cannon has received lots of additional press, including lots of takes like this and this that focus on how it’s the latest in an emerging trend of movies that include a gay romance that’s treated as if it’s no big deal and just as normal and traumatizing as a hetero love interest storyline.

There’s also this profile of Kathryn Newton, who plays one of the girls in the movie who’s part of the sex pact and who has been in a number of high-profile films and series in the last year or so.

Lean on Pete

Star Charlie Plummer was interviewed here about all aspects of the movie, from being cast in the role to the kind of story he and the others were trying to tell to working with the horse he stars alongside.

A Quiet Place

In addition to a few more features about how married costars John Krasinksi and Emily Blunt worked together for the first time there was also Krasinski in his role as director talking about how he pushed to cast a deaf actress, specifically Millicent Simmonds.


More interviews popped as the movie neared release, including chats with Rosamund Pike and director Tony Gilroy.

I’ve also begun seeing a lot more online ads for the movie, most of which use the key art of Hamm in sunglasses with Pike behind him. There’s likely a lot of retargeting going on as a result of my visiting the movie’s website.

Come Sunday

Lakeith Stanfield talks here about prepping for the role of a church musician in the movie.

Chris Thilk is a freelance writer and content strategist who lives in the Chicago suburbs.

Come Sunday – Marketing Recap

come sunday posterCome Sunday, debuting on Netflix this week, tells the true story of Bishop Carlton Pearson (Chiwetel Ejiofor), a charismatic and popular Evangelical preacher in the 1990s. Pearson was a rising star, someone with all the right characteristics for that segment of Christianity, including preaching a steady stream of fire and brimstone to help worshipers keeping making their decision for Christ as a way to stay out of hell.

One day his faith is shaken in what he believes to be divine revelation and he begins to change his preaching to reflect his new mindset that everyone is saved, not damned, by default. That doesn’t sit well with anyone – those in the pews or in church leadership – and Pearson has his position questioned from above and below. Unwilling to walk back his new perspective, he falls out of favor and eventually leaves the church and organization he’d been a part of as he continues to wrestle with the crisis. The movie is based on a 2005 story about Pearson aired on “This American Life.”

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