Infinite – Marketing Recap

How Paramount+ is selling a time-twisting action movie.

Infinite, starring Mark Wahlberg and directed by Antoine Fuqua, is the first non-Spongebob movie to make its debut on the Paramount+ streaming service, arriving there later this week. As such it represents something of a statement on the part of Paramount, indicating the platform is for more than kids programming, library content and a few prestige series.

Wahlberg stars as Evan McCauley, a man haunted by recurring visions and confused when he finds he has skills he’s never trained for or practiced. One day he’s tracked down by a mysterious group calling themselves Infinites, who tell him these are memories and skills he’s accumulated in past lives. The group needs his help to track down others like them who are determined to end life on Earth. Chiwetel Ejiofor, Sophie Cookson and Jason Mantzoukas among others also star.

The Posters

Just one poster (by marketing agency Bond) for the film. Released in late May, it shows McCauley behind concentric circles that ultimately form an infinity symbol in order to reinforce the title’s branding. There’s no text or other copy to explain the story, so either the studio felt it was too hard to explain on the one-sheet or that Wahlberg’s presence was enough to generate audience interest.

The Trailers

Ted Murray (Ejiofor) is talking with McCauley about the voices McCauley hears and more as the first trailer (10.7 million views on YouTube), released at the end of May, begins. Murray taunts McCauley with a series of random objects until he finally triggers McCauley’s memories. Just as that happens a car bursts through the interrogation room wall and we’re off to the races. We hear about how McCauley is an Infinite and how unlocking his past will offer a guide for his future.

The second trailer (3.6 million views on YouTube) came out just a week later and begins with clips from the same interrogation scene mixed with shots of McCauley’s unremarkable but slightly confusing life. This time it’s Tammy McCauley (Cookson) who provides the backstory exposition before we get to lots more chases and fight sequences in exotic locales around the world. Oh, and we finally see the real draw of the movie, which is Mantzoukas’ unhinged tech guy performance.

Online and Social

Nothing here that was specific to the movie, but it was given some support — though not as much as recent high-profile series and other material — on Paramount+’s brand social profiles.

Advertising, Press and Publicity

In May Paramount announced the movie, originally scheduled for theatrical release August of last year but pushed because of the coronavirus pandemic, would instead bypass theaters and debut exclusively on Paramount Plus. An actual release date was finally revealed in May, just about two weeks before that date.

IGN debuted an exclusive first photo from the movie in late May in conjunction with the release of the first trailer.

A short promo was released at the end of May that presents many of the main characters and sets up the presence of a mystery that spans lifetimes and eons. It’s meant to be serious and important but it comes off a bit silly, like some kind of futuristic wrestling match

Taking a more traditional approach is another TV spot-like video that features an off-screen voice explaining to Evan how he’s lived countless lifetimes and is crucial to the future of the world.

Overall

I’m not sure how much of the marketing materials here were set and ready a while ago when the movie was originally scheduled for late 2020, but the tight timeframe mandated by how it’s been less than two months since a new release strategy was announced doesn’t help the campaign much. Everything feels rushed and breezed over, when a story like this typically benefits from taking a bit longer so some of the more ridiculous plot points can be ironed out and explained.

That extremely-condensed campaign is filled with sci-fi speak in what appears to be an attempt to position it as something similar to Inception, but there’s not enough of the story on display to create those stakes. Fuqua’s directing, then, might be the most engaging element of the marketing.

Come Sunday – Marketing Recap

come sunday posterCome Sunday, debuting on Netflix this week, tells the true story of Bishop Carlton Pearson (Chiwetel Ejiofor), a charismatic and popular Evangelical preacher in the 1990s. Pearson was a rising star, someone with all the right characteristics for that segment of Christianity, including preaching a steady stream of fire and brimstone to help worshipers keeping making their decision for Christ as a way to stay out of hell.

One day his faith is shaken in what he believes to be divine revelation and he begins to change his preaching to reflect his new mindset that everyone is saved, not damned, by default. That doesn’t sit well with anyone – those in the pews or in church leadership – and Pearson has his position questioned from above and below. Unwilling to walk back his new perspective, he falls out of favor and eventually leaves the church and organization he’d been a part of as he continues to wrestle with the crisis. The movie is based on a 2005 story about Pearson aired on “This American Life.”

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