How Warner Bros. is selling the latest heist film from one of Hollywood’s most acclaimed directors.
Of the high profile directors working today perhaps none has embraced streaming quite like Steven Soderbergh. After putting out two movies for Netflix in 2019, this week brings his second straight film for HBO Max.
No Sudden Move focuses on a group of small-time criminals in 1955 who are hired by a mysterious party to steal corporate documents. They recruit a reluctant insider to actually nab the goods, with some of the crooks sent to his home to keep his family in check. But when the job goes sideways they set out to find out who it was that hired them and why.
The movie stars Don Cheadle, Kieran Culkin, Benicio del Toro and others as the criminals, David Harbour as the executive marked to actually steal the documents, Amy Seimetz as his wife Mary and Jon Hamm as the Detroit city detective assigned to investigate the crime. With a solid 87% Fresh on Rotten Tomatoes, the movie’s campaign has been heavy on the kind of stylized filmmaking that Soderbergh is known for.
“Trust is a setup” we’re told on the one poster (by marketing agency The Refinery). Shown are Goynes and Russo, two of the criminals at the center of the plot played by Cheadle and del Toro. The rest of the notable cast is named at the top of the one-sheet, but the overall design is very simple and moody, setting a dark and shadowy tone for the movie more than anything else.
A brief teaser in late May preceded the first trailer’s release, which didn’t happen until early June.
That trailer (238,000 views on YouTube) is all about selling an attitude and a vibe. It conveys the story of how the criminals are A) convincing a mid-level auto executive to steal company secrets while B) the gang watches over the exec’s family to make sure they don’t do anything stupid and he knows what the consequences for not cooperating are. As usual, everything turns pear-shaped in a flurry of irrational behavior, divided loyalties, law enforcement investigation and other factors, but what’s clear is that this is another stylized Soderbergh production that looks fantastic.
Online and Social
The signed-out landing page for the movie on HBO Max’s site has some very basic information, including a collection of cast headshots, a small gallery of stills and the trailer.
Advertising, Press and Publicity
Casting news dominated much of the press for a while. In late September production, previously delayed because of the pandemic, resumed at the same time the movie was renamed from its original “Kill Switch” to the current title.
HBO Max and Warner Bros. confirmed in May that the movie’s world premiere would happen at the 2021 Tribeca Festival. At that premiere the cast was interviewed about the movie itself as well as the uncertain nature of the production.
Harbour promoted the film when he appeared on “Late Night” in June.
A profile of Seimetz focused on how she has bounced between acting and writing/directing her own material over her career, including how she steals the show in this film.
While it’s not actually press for the film, Alissa Wilkinson at Vox explores some of the very real social issues, including housing discrimination, highway construction and more, that inform the movie’s setting, action and characters.
Warner Bros. partnered with Shinola Detroit on a sweepstakes awarding the winner a trip to Detroit’s Shinola Hotel. The company also created a movie-inspired line of handbags, watches and other apparel.
An interview with screenwriter Ed Solomon emphasized how he and Soderbergh sought to construct a story the audience would have to follow closely if they wanted to get the full experience of the payoff.
Short spots like this were used on social media (and likely elsewhere), presenting a cutdown version of the trailer that continues selling the movie as a high-drama heist story with a great cast.
HBO Max released a featurette with the cast talking about the complex nature of that story and the unique filmmaking aesthetic of Soderbergh.
What I said above really encapsulates the campaign from Warner Bros./HBO Max: Everything about the campaign is focused on presenting it as a dramatic, tense heist film with a great cast portraying characters who are always just one move away from turning on their compatriots.
Adding to that is the brand Soderbergh has for himself as a director who dabbles in seemingly every possible sub-genre and style. If you told me tomorrow he was directing a remake of The Music Man it wouldn’t surprise me at all. The point being that his involvement in and of itself is a big draw for the movie, which is why his name is so prominent throughout the campaign.