Random Thoughts on Zack Snyder’s Justice League

Let the airing of grievances commence.

Well, it’s here, and it’s been long enough that most people who wanted to have likely already watched Zack Snyder’s Justice League, the official title for The Film Previously Known As The Snyder Cut.

As such, it’s time to finally share my random thoughts after watching the…film?…just to put it out there for discussion. So, in no particular order:

About the Movie Itself

This is exactly what I would have expected from a movie fans demanded. It plays like a collection of scenes the members of a message board wrote, with no cohesive material making them into a whole.

It’s easy to see most of what’s new compared to the theatrical version, but at no point is there an answer as to “why” things are different.

The one improvement over the theatrical version is Cyborg’s story actually has some sort of point, but even that is sketchy. Still, it’s better than it was.

It once more needs to be noted, especially since we just watched Wonder Woman 1984, how different the Amazons are clothed in this movie compared to Patty Jenkins’ films. The latter look like warriors, the former like the worst stereotype of female video game characters.

While Henry Cavill’s face in the theatrical cut was certainly disturbing, at least it gave us a Superman that occasionally smiled, something completely missing from Snyder’s previous movies.

The Martian Manhunter bits make zero sense.

The Martian Manhunter ending makes less than zero sense.

The Martian Manhunter bits mean Henry Lennix’s previous appearances as General Swanwick make zero sense. Zero.

Mera: “Your mother would have been responsible for following Steppenwolf to the surface, Arthur, but also let’s sit here and have a leisurely conversation about the burden of parental legacy while you stick your hand in the water like a four year old at a shopping mall fountain.”

Can anyone explain to me what the point of all those random supporting character introductions was? I mean, great, that’s Iris West, but it doesn’t go any further. Same with Mera. And Lois Lane. Oh, hey, I think I’m figuring out a connection.

At one point someone is asking Dr. Stone about an item that has gone missing from a high-security lab with multiple government contracts dealing with items of alien origin. Stone says “Oh yeah, we just kind of lost track of that.” and the investigator shrugs and moves on like this wouldn’t bring the entire operation to an immediate halt.

Steppenwolf and Darkseid are idiots. The former came to Earth, lost the Mother Boxes to a bunch of Atlanteans and Amazons in the Battle of Helm’s Deep and retreated. Then he comes back looking for the Mother Boxes and fights a bunch of Atlanteans and Amazons. When he calls Darkseid he’s like “Hey, I think this is the same place we lost that big battle eons ago…”

On a related note, Darkseid’s inclusion in this cut was a major selling point in the campaign and something folks were super-anxious about. But he’s barely in it, and the one moment that seems as if it might turn into a confrontation with the heroes instead becomes a staring contest.

Does every scene actually require a six-minute establishing shot?

Sure, taking out the Russian family that needs to escape from the battleground is an improvement, it also means there’s no context to the fight, but that’s par for the course.

I’m actually a bit surprised some of the jokes remained, assuming they had been Whedon’s contributions.

How much more objectivist nihilism could you fit into a single movie? None. None more.

The chapter titles are insulting and ludicrous, mostly because they imply the existence of an actual story, which is inaccurate.

Oh, you fridged Lois in the Knightmare epilogue in order to make Superman even more of an angry worldwide terror who apparently is hunting down his former friends and teammates? How original.

Four hours, $70 million dollars and not only are there

  • Scenes in the trailer that didn’t make the final version, including one that seemed to be the main point of one spot in particular, but also
  • Snyder’s already out there complaining about the rules WB put in place regarding what could or couldn’t be included and what additional scenes he shot despite those rules knowing they would be cut. So now there’s even more gristle for conspiracy-minded individuals to chew on.

About the Movement That Birthed It

Of course it took less than a week for “fans” to demand that Snyder now be restored as the captain of the DCEU. Even Neville Chamberlain would have known this appeasement wouldn’t work.

Along those same lines, I’m completely unsurprised by the renewal of the #RestoreTheAyerCut movement, seeking to restore some version of Suicide Squad that might be better than what hit theaters.

A black and white version? Who was asking for that?

If you’re wondering what this means for the future of film, it’s simple: Anything less than exactly what has dominated the fever dreams of angry trolls will not be tolerated. We’ve already seen that in various ways.

“Just let people enjoy things” only seems to be said regarding massive international IP releases and not about movies like Small Axe, Promising Young Woman or others.

It’s remarkable we got through the movie’s entire hype cycle without revisiting Ezra Miller’s filmed assault of a fan from 2020.

Author: Chris Thilk

Chris Thilk is a freelance writer and content strategist with over 15 years of experience in online strategy and content marketing. He lives in the Chicago suburbs.

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