You can read my full recap of the marketing of Bumblebee at The Hollywood Reporter.
To sell the movie Paramount has focused not only on the story of the bond between Charlie and Bumblebee but also on how, unlike the previous movies, this one features the classic 80s looks of the Robots in Disguise. Here’s how the campaign was rolled out.
Online and Social
Aside from the usual collection of trailers, synopses and other information, the movie’s official website sports details on the promotional partner companies that signed up with Paramount. There’s also a section for “AR Coloring,” offering pages that are offered with the Quiver app, allowing people to virtually color some pictures featuring movie characters as well as a side-scrolling game to play. In the upper right there are links to the movie’s Instagram, Facebook and Twitter profiles.
Media and Publicity
EW offered the first still from the film, which provided both a look at Steinfeld and the titular Transformer in a vehicle form that will seem much more familiar to those of us of a certain age.
The release of the first trailer, which offered more insights into how the movie would take us back to the 80s, prompted speculation that the jump backward could signal Paramount’s attempt to use this as a way to reboot this franchise and launch their Hasbro-based shared universe that would bring in other toy brands from the Reagan Era. Despite what it looked like in the trailer, the Decepticon jet shown briefly is *not* Starscream but Blitzwing, according to comments by the director at San Diego Comic-Con. I am disappoint.
Producer Lorenzo di Bonaventura was interviewed about this movie and the future of the franchise in general, addressing how the last Transformers film necessitated shaking things up a bit, how the return to the 80s could offer a wealth of new creative potential to tap into and more.
Ahead of its SDCC appearance, a first look at two new Decepticons – Shatter and Dropkick – was offered in Entertainment Weekly’s convention-centric issue.
Screenwriter Christina Hodson was interviewed about why he wanted to tell this story and in this way, focusing on how a woman writing a major studio tentpole release like this is fairly unusual.
Knight was interviewed about how he didn’t believe the call he received to direct the movie was serious but how he took on the job with gusto once it was his.
I will simply state that this sequence from the second trailer alone is reason enough to see the movie.