The Favourite, directed by Yorgos Lanthimos, tells the story of two women desperate to hang on to the coattails of power. Set in 18th century England, Olivia Colman stars as Queen Anne, who may be going slightly mad. She’s determined to continue engaging in her life of luxury, even as the country she leads engages in a war with France.
Amidst all this her friend Lady Sarah (Rachel Weisz) continues to enjoy her proximity to power and the influence that comes with that. Her position is threatened, at least in her eyes, by the arrival of a new aid to the Queen, Abigail (Emma Stone). Thus begins a jockeying for power with plenty of backstabbing, manipulation and other bad actions.
I don’t even know how to describe the format of the first poster. The usual information – title, cast and other talent – is all included. But the layout is so unique, including the squares formed around those names, it takes a minute to realize what’s really going on. Then there’s the fact that it features not just a tagline but a whole story synopsis right there in smallish type. It’s unlike anything I’ve seen before.
The relationship between the three women is on display in the theatrical poster. Queen Anne and Lady Sarah are shown to the side in their own little frame, with Abigail sulking on the floor, just outside the conversation. At the top is the same title treatment and credits block seen earlier.
There’s a mad queen at the center of the story being sold in the first teaser, which has her and those around her engaging in all sorts of royal hijinks that are seen as anywhere from slightly eccentric to completely bonkers. It’s all very fast-paced and presented as even more off-kilter because of the fisheye point of view the camera often takes. Lanthimos’ previous work is of course name-dropped to help appeal to the crowd that’s become fans of his.
Everyone’s got their own agendas at work in the second trailer, which debuted at the same time the movie was making the festival rounds. Lady Sarah is madly protective of the attention of Queen Anne, but Abigail’s presence in the house means there’s someone competing for that attention. Backstabbing, threats and passive aggressive interplay follows as they try to keep the Queen from falling apart while also attempting to take their in-house rivals down.
Online and Social
Fox Searchlight’s official website has all the standard material like the trailer, gallery and synopsis. The “How Goes The Kingdom” section takes you to a series of posts from a Tumblr blog with GIFs, videos, photos and quotes that can be shared. There are also links to the movie’s Twitter, Facebook and Instagram pages.
Advertising and Cross-Promotions
The second trailer was used as a promoted Twitter post in mid-September to help raise awareness.
Other online ads used the key art and other stills from the film.
Media and Publicity
It first really popped on a lot of people’s radars when Fox Searchlight announced a release date for the movie. The movie was also part of the later CineEurope presentation from the studio and then a few months later announced as the opening film of the New York Film Festival. It was also announced as one of those screening at the Venice Film Festival.
While at Venice Lanthimos and the cast spoke about the story and how the movie unintentionally echoes and amplifies many of the subjects and themes that have come up in the last year or so as sexual assault, discrimination and more have risen to the surface once more.
It continued on the festival circuit, screening at Telluride as well. While there Stone spoke not only about this film but about her career in general. Lanthimos also commented on how he wanted the same sex love triangle in the story to not be a thing but just to be accepted and have people move on.
It was then announced among the titles appearing at the Austin Film Festival and the New York Film Festival, where it continued earning kudos and where the cast and crew talked about the research they did for the story. Later on it received a number of accolades from the Gotham Awards, including a special prize for Weisz, as well as a handful of British Independent Film Award nominations.
Stone appeared on “The Tonight Show” to talk about the movie and her status as the only American on the set. Weisz later hit “The Late Show” to also hype up the film and talk about that extra “u” in the title.
The first clip showed the conflict for the queen’s affection and favor Abigail and Lady Sarah are engaged in.
A feature story on the movie had the cast and Lanthimos talking about the gender politics, the long road the movie took to production and lots more.
That THR feature profile on the movie really sums up the theme of the movie’s campaign, that it’s a story of power, gender politics and other related issues. It’s not presented as movie that’s as offbeat or unusual as some of Lanthimos’ other films but more of a mainstream dramatic comedy of women who are out to define their own destiny.
The marketing never focuses too much on the story but instead just shows the performances of the three leads, particularly Weisz and Stone. That’s a strong card to play and one designed to appeal to audiences during this season of serious movies hitting theaters.
Picking Up The Spare
Lanthimos was interviewed and profiled about the sometimes difficult nature of his stories and his vision for this film. He also talked about the journey the script took to completion and how he and the crew worked to break free of the constraints of the period setting.
Weisz spoke about working with the director again and being on a female-dominated production while Stone was interviewed about playing a character a bit more rough-edged than usual. The two of them along with Lanthimos were interviewed together about the odd nature of the story.
A couple weeks after release a new featurette had the cast and crew talking about the themes of the story and the characters they play. Another talked about the perspective of the story and a third featured the cast talking about working with Lanthimos.