It’s worth noting that when news broke of skater Tonya Harding having had rival skater Nancy Kerrigan attacked after a practice in 1994, America was two years into the nascent reality television phenomenon. It’s by no means a recent development, but the audience was primed for stories of real life drama involving villains we could root against, sweethearts to root for and sympathize with and so on. Coverage of the story extended well beyond the world of sports and became a reality narrative the whole country followed for a while.
Now that story is coming to the big screen over 20 years later in I, Tonya. Margot Robbie stars as Harding in a story that follows her from her earliest days in the world of competitive figure skating, a career that’s driven by her hard-nosed mother (Allison Janney). Sebastian Stan plays Jeff Gillooly, Harding’s ex-husband and co-conspirator, the one who actually makes overtures to shady types who might be able to elongate Kerrigan (Caitlin Carver) from the equation.
The first and only poster features Robbie as Harding standing against the cinderblock wall common to arenas as she holds her skates in her hands and sports a defiant scowl. It certainly seems familiar, largely because those of us who lived through these events will kinda sorta recognize the outfit she’s sporting. And it definitely conveys to the audience that we’re not getting a sugar-coated version of events but one that comes loaded with plenty of attitude
A short teaser trailer sets up Tonya as embracing the role of someone willing to be the bad guy as we see a few shots from the movie, including her skating, Harding being clubbed and more. There’s not much there, it’s just a taste to get something out there and get people talking.
The first full trailer is kind of insane. We see Tonya’s story, including how she was pushed by her mother to succeed in every way, mostly through criticisms and violence. All that made her defiant and tough and unwilling to play by the nice rules that are in place. We see her husband begin looking into having someone take out the competition and keep working, all while dealing with the emotional fallout of being raised like she was.
It’s coarse and vulgar and funny and yeah, it looks pretty darn entertaining. Robbie completely owns the role and Janney looks fantastic as the caustic mother who prods her daughter in the only way she knows how. There are a couple moments that seem to indicate the movie breaks the fourth wall regularly, offering commentary on what’s happening and the reality of the situation, pointing out moments of artistic license being taken. That only makes it look more insane.
Online and Social
The main page of the official website opens with full-screen video pulled from the trailer with the title and a “Get Tickets” prompt at the bottom of the page. That tickets call-to-action is also the first element in the menu at the top of the page.
After that is the “Trailer” section, which has both the teaser and the full trailer, the latter in both red-band and all-ages versions. The “Synopsis” after that offers both a story overview and the cast and crew list. There are several stills in the “Gallery.” Other than the “Share” buttons to post the site to social media the last section is the “Press Kit” that offers a PDF to download where you can get all sorts of relevant information.
Advertising and Cross-Promotions
If there’s been a ton of advertising for the movie I haven’t seen it. Nothing has been found in terms of TV spots and I haven’t seen any online or social media paid promotion.
Media and Publicity
The movie had its big coming out at the Toronto International Film Festival, where it was pretty well received. A big feature interview with Robbie appeared around that time where she talked about the technical and physical challenges in making the movie and admitted she didn’t realize this wasn’t a fictional story until they were filming. NEON quickly picked up distribution rights after that Toronto screening and it was later scheduled as one of the closing night features at AFI Fest. Robbie continued talking about the research she did into the woman she’s playing.
Robbie did a few press interviews in the last couple weeks but most of the coverage wound up revolving around questions about her future as Harley Quinn in various DC Cinematic Universe films. Either that or the stories focused on her fashion and glamour, not really talking about the movie itself. Just look at the headlines to the right, a screenshot pulled from Google News.
She also showed up on “Jimmy Kimmel Live” just last night, interviewed by guest host Chris Pratt.
I think my favorite part of this campaign is that there’s no attempt to make a feel-good Lifetime story out of it. There’s attitude and swagger to spare throughout the marketing, which matches the public persona many of us associate with the real-life Harding. It’s clear the filmmakers aren’t glossing over anything. While they may present a slightly more relatable picture of Harding than was evident 20+ years ago, she’s still not a warm, fuzzy personality. And Robbie sells all that with conviction, a testament to her acting chops.
The marketing probably won’t make that much of a dent in audience desire to see the film, though. This is very much the kind of film that will skate under most people’s radar until it’s available on Amazon Prime or Netflix in eight months, at which point they’ll kind of remember seeing a trailer for it and decide it’s worth checking out. That’s not the fault of the campaign itself, which sizzles and pops and makes a strong impression, just the reality of the current theatrical marketplace.
PICKING UP THE SPARE
The movie has come under an increasing amount of criticism since it was released, both for its depiction of domestic abuse and for how it plays fast and loose with the truth, the latter centered around an account from a sports writer who covered the events of the film in real-time.
A bit more advertising has been done in response to the movie’s early awards season wins, including 15-second pre-roll spots on YouTube that call out how insane this true story is.
While it’s not directly tied to this movie, the interest and attention it received presumably lead NEON to acquire the old documentary “Sharp Edges” about Tonya Harding prior to her gaining national notoriety. Still, it’s somewhat surprising given the backlash to the movie centered around the questionable decision to make the villain in the story sympathetic while almost completely ignoring the victim.
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