Slanted Review: Dunkirk

Christopher Nolan is out to reinvigorate the war movie genre with his latest cinematic outing, Dunkirk.

Anyone who has seen any Christopher Nolan film knows that he is never a straightforward director, and Dunkirk is no exception. While it is certainly more grounded in reality than something like Interstellar (since it is based on the true events that happened at Dunkirk in the second World War), that doesn’t mean that the film is less masterful. On the contrary, Dunkirk is truly a one of a kind film, and it stands out against other films in Christopher Nolan’s filmography just because of one thing: the action.

Similar to Matt Reeves’ War for the Planet of the Apes, which came out a few weeks ago, Dunkirk does not rely on dialogue to drive the story forward.  But while Planet of the Apes used emotional beats in the story to drive the plot, Dunkirk instead relies heavily on the action. Whereas other movies in the “war” genre are more traditional movies, using mostly dialogue to propel the story, Dunkirk smartly uses the battles and tragedies on screen to tell its story. What really sets Dunkirk apart from other war movies is that it uses slower pacing and minimal dialogue to capture the feeling of a true war. Without much dialogue, things often feel out of control and chaotic onscreen, and there is a true sense of unpredictability that Nolan captures extremely well.

What also makes Dunkirk so unique is the way that the story is structured. Dunkirk does not tell the story of just one man or one group of men during the Battle of Dunkirk; it tells three separate stories of multiple different people during the events before and after the battle instead. This makes the film feel more real, adding to the unpredictability of the story. In this sense it is almost like 2001: A Space Odyssey: No one specific character advances the story, and the story is not so much a coherent plot as it is a series of events leading to one big climax. This only enhances the movie and makes Dunkirk feel extremely fresh, something that audiences seem to be yearning for nowadays.

Dunkirk is in theaters now and is rated PG-13.

Slanted Rating:

9/10- See it in theaters NOW. 

One Comment on “Slanted Review: Dunkirk

  1. Pingback: This Week on Cinematic Slant – Chris Thilk

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